BOOKS FOR SALE authored by Paula Edelstein Sounds of Timless Jazz Volumes 1 & 2 - Color Edition - $129.00 Sounds of Timeless Jazz - Volumes 1 & 2 - Black & White - $70.00 Beautiful, strong, and affecting, the first two volumes of this unique collection of interviews with over 100 major jazz stars discussing their art form is now available in soft-cover editions. Here's your ticket to a spectacular, star-studded, fun-and-fact filled journey through the world of jazz. This collection of interviews will bring an instant smile, a rush of happiness and more often, sensitive insights into some of the world's most noted jazz musicians. Highlighted by more than 200 dazzling photos.
RECORDINGS FOR SALE Sounds of Timeless Jazz: A Collection of Interviews - 2 disc set - $12.00 Various Artists Features spoken word interviews with Stanley Clarke, Ahmad Jamal, Carmen Lundy, Valarie King, Daniel Ho, and the special narration of "Katrina" written by Marvin Kimbrough
This exciting two disc set features insightful thoughts and advice from some of the jazz world's most successful artists. Discussions include making it in the jazz business, how these artists became successful, their gear preferences and what you need to know to make it as a jazz artist. Use your PayPal account, Visa, Mastercard, Discover or Amex credit card.
THE MILES DAVIS QUINTET
THE LEGENDARY PRESTIGE QUINTET SESSIONS
This magnificent 4-disc collection represents the critical turning point in the career of Miles Davis. The trumpeter had achieved much in the years prior to forming a working band in the latter part of 1955, and his subsequent triumphs make their own claims on immortality. That said, the Miles Davis Quintet heard here was Davis’ means of seizing the moment when his physical health and his musical concepts were on an upswing, and when the public and the music industry had finally begun to pay attention. This is the band Davis organized when he wanted his recordings to stand for more than snapshots of his momentary interests. Buy it today from the SOTJ store.
Prestige Profiles Series - In Stores Now
Miles Davis, John Coltrane, Sonny Rollins, Jackie McLean, Lightning Hopkins, Red Garland, Kenny Burrell, Eric Dolphy, Eddie Lockjaw Davis, Coleman Hawkins featured in ten volume set culled from Prestige Records' vaults. Bonus disc included with each CD adds new dimension to your favorite jazz cats!
Jazz begins with Prestige! This specially priced collection provides a closer look at a label that ushered in the golden age of modern jazz. Rediscover this rich legacy of artists from Miles and Coltrane to Coleman Hawkins and Sonny Rollins with the Prestige Profiles Series. Ten volumes, each containing a unique bonus disc, illuminates an essential chapter in jazz history. BUY THEM NOW.
SPECIAL EVENTS
GIBSON/BALDWIN GRAMMY JAZZ ENSEMBLES OFFER THEIR EXCEPTIONAL SKILLS DURING 2008 GRAMMY WEEK EVENTS
Gibson/Baldwin GRAMMY Jazz Big Band
By Paula Edelstein
The GRAMMY Jazz Ensemble program selects top high school instrumentalists and singers to receive an all-expense-paid trip to perform in the Jazz Choir, Big Band or Combo at GRAMMY week events (Feb. 2-11, 2008). The high school of each entrant receives educational music product and nearly $2 million in scholarships are offered each year to selectees.
After a comprehensive audition process, the GRAMMY Foundation selected 30 talented high school students from across North America for positions in the 2008 Gibson/Baldwin GRAMMY Jazz Ensembles. Their selection launches them into the spotlight surrounding the 50th Annual GRAMMY Awards, and provides them with unparalleled opportunities to perform in front of some of music's biggest names. Since 2003, Gibson Guitar and Baldwin Piano have partnered with the GRAMMY Foundation to provide students with this extraordinary musical experience. The students, who represent 26 cities and 14 states, traveled to Los Angeles for a weeklong musical adventure during GRAMMY Week under the direction of Justin DiCioccio of the Manhattan School of Music and Dr. Ron McCurdy of the University of Southern California Thornton School of Music.
At The Biltmore…
During GRAMMY Week we caught up with the 2008 selectees at various events including The GRAMMY Salute to Jazz at the Biltmore where the Gibson/Baldwin GRAMMY Jazz Choir sang a golden version “O Lady Be Good” under the direction of Dr. Ron McCurdy. Later in the evening, the Gibson/Baldwin GRAMMY Jazz Big Band accompanied the legendary pianist and honoree McCoy Tyner on his “Blues On The Corner,“ after successfully performing several compositions written by honoree Sonny Rollins.
At Capitol Records - Studio B…
Over at Capitol Records, in its infamous Studio B, the Gibson/Baldwin GRAMMY Jazz Big Band recorded several songs that are scheduled to be included on the 50th Anniversary CD. Corresponding to this year’s theme: 50 Years of GRAMMY award-winning songs, the Grammy Foundation’s Senior Director of Education Programs, David R. Sears, and recording engineer Steve Genewick were at the helm of the legendary 56-track soundboard built by Rupert Neve, tweaking the Brecker Brothers’ Grammy award-winning tune called “Sponge” and making sure the audio quality was clean, clear and concise. Earlier, the band had recorded a great arrangement of the Grammy award-winning classical version of “O Solo Mio.” We spoke to Mr. Sears during a brief break and he told us how the GRAMMY Jazz Ensemble program is implemented. “The GRAMMY Foundation has several missions and one part of its mission is to support music education. We do that in two ways. First we recognize excellence and second, we try to make students aware of the myriad of careers that are available in music. Those are two things that our education programs do. We focus all of our programs at the high school level. Any high school student is eligible to apply whether they’re home schooled, in parochial schools or in public schools, etc. In order to recognize individual excellence, we decided to form the jazz ensembles in 1992. Each September we conduct auditions with a worldwide mailing to the schools across the USA and Canada in conjunction with an outreach program with IAJE inviting students to submit a videotaped audition. They can also go on to www.grammyintheschools.com to complete the application.”
In the sound booths, the 18-piece big band played with the professionalism afforded to most veteran musicians and were swinging under the magnificent direction of Justin DiCioccio. In a studio where so many legendary musicians have recorded -- Frank Sinatra, Nat King Cole, Natalie Cole, Mel Torme, among others, there was no doubt the big band selectees were amazed! Although all of the selectees are adept musicians, pianist Jake Sherman from the Boston Latin School Visual and Performing Arts in Boston showed real skill during his rare opportunities to play Nat King Cole’s piano on select compositions. Adam Larson of University High School in Normal, Illinois, is a dynamic tenor saxophonist who will resume his touring with several different bands after his GRAMMY Week experiences. Drummer Corey Fonville of The Governors School for the Arts in Virginia Beach, VA was "killing" in the isolation booth. He is prominently featured on David Sears‘ exemplary jazz arrangement of “Sir Duke,” Stevie Wonder’s GRAMMY Award winning song that is also scheduled for inclusion on the 50th Anniversary CD.
David R. Sears at Studio B
Justin DiCioccio at Capitol Records
At The Vic…
On Friday night at The Vic, master of ceremonies David R. Sears gave the audience a brief glimpse into the mission of the Grammy Foundation’s various GRAMMY In The Schools programs. All three Gibson/Baldwin Grammy Jazz Ensembles played to a sold-out, standing room only house. Appearing with the Grammy-nominated trumpeter Christian Scott, the Gibson/Baldwin Jazz Combo was smoking behind Christian’s amazing trumpeting skills on "Night In Tunisia." Several members of Scott's band are former members of the Gibson/Baldwin GRAMMY Jazz Ensembles, so the evening's performance gave the audience a chance to see the scope of the talent in the program. “It’s really cool to be playing with some of my peers,” stated Christian Scott during a break in the action. With his movie-star good looks (Scott is in a movie starring George Clooney) and wide array of musical skills (he‘ll be playing the National Anthem at the NBA All Star Game), Scott was in great form as he held the audience captive with his technical virtuousity. The jazz combo featured great solos by pianist Emmett Cohen, bassist Greg Chaplin, drummer Bryan Carter and alto saxophonist Grace Kelly on "If Not For Me." After a brilliant performance of the “Shadow of Your Smile, “ and “O Lady Be Good,“ by the jazz choir, we caught up with Dr. Ron McCurdy. “My job is really easy. Because they're all so talented, all I have to do is just give them the guidance and they do the rest,” he stated as the audience burst into applause as the choir left the stage. The finale featured the 18-piece jazz big band playing such favorites as “Now Or Never,” "Oleo," and "Tenor Madness" under the direction of Justin DiCioccio.
The Grand Finale…THE GRAMMY AWARDS SHOW
As a grand finale, the ensembles will perform at the GRAMMY Celebration® after party, as well as attend the 50th Annual GRAMMY Awards on Feb. 10 as guests of The Recording Academy®. "The young people selected to participate in the Gibson/Baldwin GRAMMY Jazz Ensembles are highly motivated and exceptionally talented vocalists and instrumentalists," said GRAMMY Foundation President and Recording Academy President/CEO Neil Portnow. “They come to Los Angeles during GRAMMY Week to experience the power and possibility of music firsthand — playing with their peers from across the country and with GRAMMY-nominated artists in several GRAMMY Week events — it is truly a once-in-a-lifetime experience and many say the most positive and influential career opportunity ever." For more information about participating in The Grammy Foundation’s Grammy In The Schools events and programs, log on to www.grammyfoundation.com.
SOUNDS OF CHANGE
By Paula Edelstein
Protecting our cultural legacy for future generations is a cornerstone of the GRAMMY Foundation mission. Its SOUNDS OF CHANGE Music Preservation Project in honor of The Recording Academy’s 50th GRAMMY celebration, drew a diverse audience of Baby Boomers, Gen Xers and Gen Ys during the 2008 GRAMMY Week events. Two legendary GRAMMY winners - Jerry Lee Lewis and John Fogerty - rocked the house with songs that caused musical revolutions during their heydays. The event also featured poignant performances by GRAMMY nominees Natasha Bedingfield, Chrisette Michele, Ryan Shaw, and Musiq Soulchild. DJ Hapa showed off his turntable mastery to the program mix prior to a rousing finale by the performers.
The celebration highlighted the role that music has played in key moments of our social, cultural and political history. Ryan Shaw opened the program with a resounding version of Sam Cooke’s “A Change Gonna Come.” With exceptional narrative remarks by Neil Portnow, President/CEO and President of the GRAMMY Foundation, the audience’s memory was refreshed as he told the stories behind the songs prior to showing film clips of several relevant scenes in American musical history.
Jerry Lee Lewis’ infamous “Great Balls O Fire,” caused a huge stir during the advent of Rock and Roll and his performance this evening was no less riveting as witnessed by the thunderous standing ovations he received. An emotional rendition of “We Shall Overcome,” sung by Chrisette Michele was warmly received, as were clips that featured prominent civil rights leaders and their attempts to quell the racial segregation that permeated the 60s.
Not just another genre, folk rock was born as a statement in a time of racial tension and escalating war. While John Fogerty may best be remembered for his leadership of Creedence Clearwater Survival and for such great songs as “Fortunate Son,” and “Proud Mary,” his political songs of the 60s and 70s cast him in the spotlight as an agent of social change. His rousing performances brought the baby boomers to their feet for a momentous standing ovation.
Music’s integration in the peace movement was accompanied by several film clips featuring the flower children of Haight Ashbury, Woodstock and the Vietnam War era. Natasha Bedingfield gave a stirring rendition of John Lennon’s peace anthem “Imagine” that had audience members wiping their tears away and giving her a warm round of applause. Musique Soulchild performed Bob Marley’s “Redemption Song,” a song about the history of slavery but which references the present mental slavery many still subscribe to because of their racist attitudes.
Representing the technological advancement in music was DJ Hapa of the Scratch Academy with an adept medley of hits re-mixed with his turntable scratches and electronic technology. He was absolutely amazing!
After a brief speech by Kristen Madsen, a montage of art created by the students from the Las Vegas Academy of International Studies and Performing and Visual Arts, offered their perspectives on music as a healing factor, an agent of change and probably the hippest form of artistic expression. The finale featured a performance of Marvin Gaye’s “What’s Going On” by all of the performers.
Despite the time constraints associated with a project of this magnitude, the showcased songs and film clips featuring Pete Seeger, Dylan, Woodstock, and many others, brilliantly captured the revolutionary role that music has played over decades of social change, racial tension and war. However, the notable absence of several songs including Buffalo Springfield’s “For What It’s Worth,” Crosby Stills Nash & Young’s “Ohio,”(which was the definitive protest song that emerged after the shootings at Kent State University,) and The Youngbloods’ “Get Together” (which was the definitive peace march anthem), provided a forum for discussion among many Baby Boomers at the reception following the program. To learn more about the Grammy Foundation and the Music Preservation Project, please visit their website at www.grammyfoundation.com
McCoy Tyner
SUPER STARS OF CLASSICAL AND JAZZ MUSIC KICK OFF GRAMMY® WEEK EVENTS
By Paula Edelstein
With the first scheduled events of GRAMMY Week in full swing, it was a Super Tuesday in every sense of the word. In a city that boasts so many great venues and things to do, there were plenty of attractive people in Los Angeles to celebrate The GRAMMY Salute To Classical Music and The GRAMMY Salute to Jazz in two very “downtown” venues – the elegantly minimalist Walt Disney Concert Hall and The Millennium Biltmore Hotel.
"In continuing our 50-year history of recognizing musical excellence, we are proud to honor great talent whose artistry has helped shape and evolve these important genres," said Neil Portnow, President/CEO of The Recording Academy. "These events during GRAMMY Week are a true celebration of music as they bring legends together with those that will continue to ensure these genres remain a vital part of our culture. We are thrilled to pay homage to such dynamic artists and celebrate their influential music."
The GRAMMY Salute To Classical Music honored two pianists, Lang Lang and Earl Wild. At only 25 years old, current GRAMMY nominee Lang Lang has performed to sold-out audiences around the world. He founded the Lang Lang International Music Foundation, which is dedicated to inspiring the next generation of musicians. A GRAMMY winner and legendary pianist, Wild became the first artist to perform a piano recital on U.S. television. He has recorded more than 40 albums and celebrated his 90th birthday in 2005 with a concert tour that culminated with a recital at Carnegie Hall in New York City. Jazz greats Sonny Rollins and McCoy Tyner were honored at GRAMMY Salute To Jazz. Rollins is a two-time GRAMMY-winning tenor saxophonist and 2004 GRAMMY Lifetime Achievement Award recipient. He emerged at the height of the bebop jazz movement, and his illustrious career has consisted of more than five decades of recording. Since 2005 he has recorded on his own record label, Doxy Records. Five-time GRAMMY-winning Tyner is a jazz pianist whose style has become one of the most identifiable sounds in improvised music. He has released nearly 80 albums and in 2007 formed his own record label, McCoy Tyner Music, in partnership with Blue Note Records.
GRAMMY Salute to Jazz featured the presentation of the President's Merit Awards to Sonny Rollins and McCoy Tyner and performances honoring these giants of jazz by The Gibson/Baldwin GRAMMY Jazz Ensembles. A special appearance by nine-time GRAMMY award winner, Dr. Bill Cosby kept the audience humored with comedic sketches about several jazz performances including a story about Rollins playing on a stage in Bermuda shorts and how Cosby couldn't concentrate on the show because Rollins' kneecaps were moving up and down as he played. He added a story about shooting an episode of I SPY with Bob Culp in Morocco on which a snake charmer was playing a horn and Culp yelled “Coltrane, he’s hip.” But the funniest had to be his story about one of his aides who couldn't find a record by jazz pianist Thelonious Monk because he'd been looking for a record titled, The Loneliest Monk!
Under the exceptional guidance of Justin DiCioccio of the Manhattan School of Music, the big band's version of “Now or Never” opened the program and was immediately followed by the jazz choir's tremendous performance of “Oh Lady Be Good,” under the guidance of Dr. Ronald McCurdy of USC’s Thornton School of Music.
Neil Portnow presented the President’s Merit Award to Sonny Rollins via Rollins’ nephew Clifton Anderson. Accepting on Rollins’ behalf, Anderson explained that Rollins had been involved in a non-life threatening auto accident but was unable to attend. After his acceptance speech, the Gibson/Baldwin Jazz Big Band performed a dynamic version of “Oleo” which was followed by “Tenor Madness” – two of Rollins’ trademark compositions. Portnow then presented the President’s Merit Award to McCoy Tyner who took the stage to accept the award with a sincere thank you. Tyner performed with the Gibson/Baldwin GRAMMY Jazz big band and also played his original - “Blues On The Corner.”
The 50th Annual GRAMMY Awards will be held on "GRAMMY Sunday," Feb. 10, 2008, at Staples Center in Los Angeles and will be broadcast in high-definition TV and 5.1 surround sound on CBA from 8:00- 11:30 p.m. (ET/PT).
Aretha Franklin Named 2008 Person Of The Year
Seventeen-time GRAMMY-winning recording artist Aretha Franklin will be honored at the 2008 MusiCares Person of the Year dinner and concert it was announced today by Recording Academy and MusiCares Foundation President Neil Portnow and MusiCares Board Chair Les Bider. Proceeds from this annual GRAMMY Week gala — to be held on Friday, Feb. 8, 2008, in Los Angeles two days prior to the 50th Annual GRAMMY Awards — provide essential support for MusiCares, which ensures that music people have a place to turn in times of financial, medical and personal need.
The recipient of a 2005 Presidential Medal of Freedom honor (the United States' highest honor), the GRAMMY Lifetime Achievement Award, a GRAMMY Living Legend Award and numerous other awards and accolades, Franklin is being honored for her extraordinary artistic achievements as well as her philanthropic efforts, which include Save The Children, Easter Seals and various churches and food banks in the Detroit metropolitan area.
The MusiCares Person of the Year tribute dinner is one of the most prestigious events held during GRAMMY Week, a celebration that culminates with the 50th Annual GRAMMY Awards on Feb. 10, 2008, from Staples Center in Los Angeles. The telecast will be broadcast on the CBS Television Network at 8 p.m. ET/PT. For more information about the event, please click here.
The lineup of this nationally televised concert, organized by Wynton Marsalis at Jazz at Lincoln Center, ranged from the gospel queen Shirley Caesar to the quiet wunderkind Norah Jones. But the night belonged to the Big Easy’s brethren, including the crawfish cadences of Buckwheat Zydeco's "I'm Going to Love You Anyway" and the second line strut of Art and Aaron Neville's "Go to the Mardi Gras." Trumpeter Irvin Mayfield's tearful "Just a Closer Walk with Thee" was dedicated to his missing father. The Jordan family: flutist Kent, violinist Rachel, vocalist Stephanie, and trumpeter Marlon--who was trapped for days on a roof--performed a heartfelt, affirmative rendition of "Here's to Life." Without the Crescent City, American music as we know it does not exist. If enough of you buy this CD, we won't "Know What it Means To Miss New Orleans." CLICK ON THE CD COVER TO PURCHASE THE CD
Our New Orleans: A Benefit Album for the Gulf Coast
Nonesuch Records is releasing a benefit album of newly recorded songs featuring artists from the New Orleans music community – across a wide variety of styles – to document the depth, richness and profound musicality of that unique city. Funds from the sale of the record, titled Our New Orleans, will be donated to Habitat For Humanity to aid those affected by the recent Hurricane Katrina disaster. A number of New Orleans’ best known musicians have been asked to record songs that are integral to their lives and that express their feelings about the city and the recent events there. Sessions began in New York on September 20, with the Preservation Hall Jazz Band and the Wild Magnolias recording at Clinton Studios. Later the same day and on September 21, Allen Toussaint, Irma Thomas and the Dirty Dozen Brass Band recorded at New York’s Avatar Studios. Further sessions in October included Dr. John, Buckwheat Zydeco, and Randy Newman, among others. Nonesuch’s parent company – Warner Bros. Records – is donating all of the production costs for this record, as part of the Warner Music Group’s larger efforts on behalf of the hurricane victims. Many others involved in the project are also generously donating their time and services. CLICK ON THE CD COVER TO PURCHASE CD
A Celebration of New Orleans Music to Benefit MusiCares Hurricane Relief 2005
Rounder Records is releasing A Celebration of New Orleans Music to Benefit MusiCares Hurricane Relief 2005. All proceeds will go to the MusiCares Hurricane Relief Fund, providing assistance to musicians and other music industry people directly affected by Hurricane Katrina. "Hurricane Katrina struck a direct hit to the soul of American music. It is the wish of everyone at Rounder Records that the proceeds from this sampler will help to restore the lives and livelihoods of the Gulf Coast musicians who are among our greatest cultural treasures," states Rounder Vice President of A&R Scott Billington. Neil Portnow, President of The Recording Academy and MusiCares, states, "It is inspiring and gratifying to witness the generosity of spirit, support and resources that the music community has poured out in response to this tragedy. We are immensely proud to be the music industry's 'charity of choice' during this profound time and will continue to work very hard to keep that support." Featuring liner notes by Branford Marsalis, the album is a joyfully unruly collection celebrating America's greatest musical city, moving from second-line brass band music and R&B to modern jazz, Mardi Gras Indian music and gospel, spanning 65 years of recording. There's a common thread that connects all of these sounds--the ebullient, funky musical attitude that lets you know this music is from no other place on the planet than New Orleans. Here is the soul and spirit of a city that will never die. CLICK ON CD COVER TO PURCHASE CD
Paula Edelstein Properties presents... Real Estate News From Your Realtor
Beware: Improper Identification Invalidates the 1031 Exchange
“Identification” refers to the IRS requirement that taxpayers must identify in writing property they intend to acquire as replacement property in a 1031 tax-deferred exchange.
What is a proper identification? The Treasury Regulations state that replacement property is “identified” only if it is designated in a writing, signed by the taxpayer and sent before the end of the 45-day identification period to either the seller of the replacement property or another person involved in the exchange who is not disqualified¹-e.g. seller’s broker, escrow officer, or qualified intermediary (“QI”).
When must the identification notice be given?The identification notice must be sent to one of the parties noted above on or before midnight of the 45th day of the exchange period.
Who must sign the identification notice? The identification notice must be signed by the taxpayer. For example, if the taxpayer is a corporation or partnership, a person authorized under the corporate bylaws or partnership agreement must sign the identification notice. The Treasury Regulations do not permit an agent – for example, the taxpayer’s real estate agent – to sign the identification notice.
What constitutes a “writing”? Any kind of writing – a form, a letter, etc. The contract for the replacement property will satisfy the requirement of a writing, so long as the contract is signed by both the taxpayer and the seller within the 45 day identification period.
Can the identification notice be revoked?Yes, if it is in writing and in the same manner as originally made and it is sent on or before midnight of the 45th day of the exchange period. For example, if the identification notice was a writing given to the QI it must be revoked in a writing given to the QI by the 45th day of the exchange. Likewise, if the identification was made in a written contract, the contract must be amended by the 45th day of the exchange to provide for the revocation. If multiple identification notices are made by the taxpayer without any revocation, those notices will be treated as supplements to the first identification.
How should the identification notice describe the replacement property? Unambiguously. A legal description, street address, or distinguishable name (e.g. Mayfair Apartment Building) along with the city and state will satisfy this requirement.
How many properties can an exchanger identify? Three properties of any value orany number of properties as long as the combined value does not exceed 200% of the value of the relinquished property. If the exchanger identifies more properties than allowed, they will be treated as if they identified nothing and the exchange will fail, unless they actually complete the acquisition of 95% of the value of all identified properties.
Since failure to properly identify replacement property is fatal to an exchange, this area is subject to fraud. For example, in Dobrich v. Commissoner (9th Cir 1999) 188 F3d 512, the taxpayer, Mr. Dobrich, backdated his identification notice. The IRS imposed a fraud penalty equal to 75 percent of the underpayment of tax that was due. Mr. Dobrich paid over $1,000,000 in back taxes, plus a $774,307 fraud penalty.
¹Disqualified parties are persons who are agents of the taxpayer (i.e. anyone who has acted as the taxpayer’s employee, attorney, accountant, investment banker/broker, real estate agent/broker within the two year period ending on the date of the transfer of the relinquished property), as well as family members (mother, father, spouse, brothers and sisters, ancestors and lineal descendants, not in-laws or cousins, unless one of these is also the seller of the replacement property) and corporations, trusts or partnerships in which the taxpayer has a 10% or greater interest.
Please note: PAULA EDELSTEIN PROPERTIES does not provide tax or legal advice. Please consult with your tax advisor to determine whether an exchange is appropriate for your circumstances.
If you are interested in buying, selling, leasing or exchanging real property, please contact Paula today for more information. Simply e-mail her or fill out the form below. It's that easy.
Paula Edelstein Broker/Owner/REALTOR PAULA EDELSTEIN PROPERTIES 818-762-6954 paula.edelstein@att.net
Member: Southland Regional Association of Realtors, California Association of Realtors, National Association of Realtors Paula Edelstein is a licensed California Real Estate Broker
STAFF NOTES
PAULA EDELSTEIN - FOUNDER/PUBLISHER - Sounds of Timeless Jazz.com MANAGER OF CONTENT DEVELOPMENT - Sounds of Timeless Jazz.com OWNER - Sounds of Timeless Jazz Enterprises BROKER/OWNER - Paula Edelstein
RONALD EDELSTEIN - CO-FOUNDER/OWNER - Sounds of Timeless Jazz.com REAL ESTATE BROKER
