Trombone Shorty & Orleans Avenue will perform at the Playboy Jazz Festival Sunday, June 16, 2013
Trombone Shorty is the best-known moniker for Troy Andrews. He was born into a well-known New Orleans musical family in 1986. His grandfather, Jessie Hill, was a locally popular R&B recording artist. His older brother, James "12" Andrews, was a successful jazz trumpeter who was also an early mentor. Andrews began playing music at a very early age and was playing professionally at the age of five. He mastered trombone, trumpet, and drums, eventually choosing the trombone as his principal instrument and thus picking up his nickname. So advanced was he that, at the age of eight, a club in the city’s Tremé district, where he was born and raised, was named Trombone Shorts in his honor.
Andrews became a member of the New Orleans Center for the Creative Arts' (NOCCA) musical education program for high school students; other graduates included Harry Connick, Jr., Nicholas Payton, and Wynton and Branford Marsalis. At NOCCA, Andrews took music theory, ear training, and instrumental instruction courses under Clyde Kerr, Jr. and Kent Jordan, among others. In 2003 he was one of five young musicians chosen as the subject for a PBS television documentary, and also performed on the network's nationally broadcast tribute to Louis Armstrong, directed by Wynton Marsalis. Outside his home town, Andrews has appeared with the Lincoln Center Jazz Orchestra, and has performed with U2 and Green Day. He has also traveled extensively overseas, playing concerts and festivals in Cuba and Europe; he has appeared at the Vienna Jazz Festival, the North Sea Jazz Festival, and the Istanbul Jazz Festival.
Since the release of their Grammy®-nominated 2010 debut album, Backatown, Trombone Shorty & Orleans Avenue have grown creatively while winning hordes of new fans performing nonstop on five continents. His 2011 release, For True, offers substantive proof of their explosive growth, further refining the signature sound Troy “Trombone Shorty” Andrews has dubbed “Supafunkrock.”
The group has been featured in numerous TV appearances on The Late Show With David Letterman, The Tonight Show With Jay Leno, Jimmy Kimmel Live, Good Morning America, Tavis Smiley and NFL Kickoff (joining Dave Matthews Band). Andrews also has a recurring role (playing himself) on the hit HBO series Tremé.
In February 2012, Trombone Shorty performed at the White House celebration of Black History Month on PBS’ Red, White and Blues, with Jeff Beck, Gary Clark, Jr., Buddy Guy, Mick Jagger, B.B. King, Keb’ Mo’, Booker T. Jones, Susan Tedeschi and Derek Trucks. Later that year, he received the President's Medal from Tulane University President Scott Cowen in recognition of his community service work with the Horns for Schools Project.
His highly anticipated return appearance marks his second performance at the Playboy Jazz Festival so watch for much more news on that front, as well as a new CD, currently planned for a Summer 2013 release. Don’t miss Trombone Shorty and Orleans Avenue on Sunday, June 16th at the Hollywood Bowl.
Boney James has re-signed with Concord Records and now presents his new project titled The Beat. Rick Braun, The Floacist, and Raheem De Vaugh join the triple GRAMMY nominee on ten new tracks that feature the saxophonist’s compelling artistry and inimitable saxophone swagger. The set opens with an updated version of Stevie Wonder’s “Don’t You Worry ‘Bout A Thing” which features Brandon Coleman on keyboards, Vinnie Colauta on drums and Lenny Castro on percussion. Boney plays the soprano sax and breathes new life into this classic. Up next is “Sunset Boulevard” a priceless collaboration written by Boney James and Brandon Coleman. Now on tenor saxophone, this song is pure Boney with its hip beat and grooves that move. The good times continue with “Batucada (The Beat)” and you can be assured that this song will have you up and dancing since it features the great trumpeter Rick Braun exciting you during a great conversation with Boney. “Maker of Love,” a sexy/soulful love ballad sung by Raheem DeVaughn is sure to please as will the sophisticated and beautiful “Mari’s Song.” All of the songs on The Beat are born out of Boney’s love for both Latin and R&B music and was inspired initially by Sergio Mendes’ “Batucada (The Beat)” which he re-imagined as a funk tune. He lets his imagination flow and his unique artistry runs the musical spectrum – from funk to beautiful. Check it out. Click on the CD cover to purchase The Beat.
THE VIEW FROM HERE
Kyle Eastwood, the prolific bassist/composer is accompanied by a London-based crew of stellar young musicians including pianist Andrew McCormack, saxophonist Graeme Blevins, trumpeter Quentin Collins and drummer Martyn Kaine on his latest release titled The View From Here. Together they blend their creative visions on eleven diverse tracks that reveal their communicable band chemistry and transferable songwriting capabilities. The rhythmic title track is based on a catchy ostinato figure played by Kyle Eastwood on electric bass and Andrew McCormack’s left-hand piano lines. Graeme Blevins and Quentin Collins float in half time on top of their urgent undercurrent and create a dreamy effect. For “M.E.” (written for Kyle’s mother) is a loping, melodic piece that features the bassist stretching out on an expressive electric solo while later in the song, Collins exhibits his penchant for Lee Morgan/Freddie Hubbard daring chops. This is one great recording and has sounds and rhythms that everyone will enjoy. Just one listen to “Sirocco” will conjure memories of the Mediterranean with its blend of flamenco handclaps and Eastwood’s mesmerizing pulse on acoustic bass. McCormack’s versatile pianism is creatively placed in a great solo that leaves the listener freely exploring the tempo-shifting piece alongside the band. The entire band turns in exceptional performances on The View From Here and in turn, you dear listener, will feel the effects of this dynamic quintet. Check it out and then order The View From Here at the SOTJ store. Simply click on the CD cover image.
Pianist Gerald Clayton’s debut recording for Concord Jazz titled Life Forum is a meaningful musical exchange that features him with trio members bassist Joe Sanders and drummer Justin Brown. Saxophonists Logan Richardson, trumpeter Ambrose Akinmusire, vocalists Gretchen Parlato, Sachal Vasandani and poet Carl Hancock Rux round out the ensemble. The set opens with Rux’s spoken word performance of Life Forum which provides the foundation for “Future Reflection.” This song features Clayton’s diverse pianism and Parlato/Vasandani’s vocalese over the horn players and Clayton. Gerald Clayton’s stellar performance justifies his triple GRAMMY nominations as a bandleader/composer but also reflects his penchant for larger ensembles that detail his compositional integrity. Life Forum is a masterwork by a highly talented young pianist/composer whose extensive repertoire is sure to please for years to come. Buy Life Forum today. Click on the CD cover.
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Kendrick Scott Oracle
Conviction is Kendrick Scott’s follow up release to The Source, his 2007 debut as a leader. The drummer and composer now manifests a deeper purpose on eleven songs that reflect Balance, Love, Peace, Equality, Freedom, Courage, I AM, Truth, Faith, Surrender and Passion. Playing with a streamlined version of his band Oracle and guest vocalist Alan Hampton who makes appearances on two tracks, Scott’s inspirations take the listener on his journey of self-discovery via his combination of innate talent, discipline and support from Oracle which is comprised of saxophonist and bass clarinetist John Ellis, guitarist Mike Moreno, pianist Taylor Eigsti and bassist Joe Sanders. Scott introduces his program with a prayer that segues into a captivating work written by James Cargill and Patricia Keenan titled “Pendulum.” This piece represents Balance and features stellar solos by Ellis as he is balanced by the pianist Taylor Eigsti and the rhythm section of Scott and Sanders. Each song flows seamlessly into the next without interruption and the listener is next absorbed by Sufjan Stevens’ “Too Much,” which depicts the Love aspect of the recording and features the vocals of Alan Hampton. Scott and Oracle continue to dig beneath the surface and find deeper meanings with Herbie Hancock’s rendition of “I Have A Dream” which Kendrick Scott uses as a metaphor for Peace. Throughout the recording, Oracle’s musicality is strong and convincing. Their expert skills and techniques keep you, dear listener, thoroughly engrossed. Overall, this recording is a step up from Scott’s previous endeavor as a leader and surely represents his skills as a composer of thoughtful and inspired songs. Check Conviction out at the SOTJ store. Click on the CD cover to purchase Conviction.
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Miles Davis Quintet: Live In Europe 1969 The Bootleg Series Vol. 2
Originally recorded at Festival Mondial du Jazz d’Antibes, La Pinede, Juan-les-Pins, France on July 25, 1969 and at Folkets Hus in Stockholm, Sweden on November 5, 1969, this is the first officially released music of Miles Davis with his awesome “third quintet.” This one-of-a-kind box set also features a kinetic video of their concert in Berlin. There are 3-discs, a DVD, and liner notes offering new information about the great Miles Davis jamming with such inspired musicians as pianist Chick Corea, saxophonist Wayne Shorter, drummer Jack DeJohnette, and bassist Dave Holland!
The set lists showcase Davis’ Quintet playing music from his bebop, hard bop, modal, and electric eras with freewheeling solos from Davis and Shorter, aggressive bass playing by Holland, electric keyboards from Chick Corea, and power drumming by DeJohnette. Much of the material is completely re-imagined, played with a muscular, intense, communicative freedom that is innovative and creative. Songs such as "'Round Midnight," "Spanish Key "Nefertiti, the 14-minute "Bitches Brew" will thoroughly entertain you and the DVD offers a panoramic, view of the band with great sound. Miles Davis Quintet: Live In Europe 1969 The Bootleg Series Vol. 2 is energetic, complex yet accessible, exciting and ground-breaking. Buy it today from the SOTJ Store. Click on the CD cover.
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Without A Net
This priceless recording from Wayne Shorter is his first album on the Blue Note recording label as a leader in 43 years. Without A Netis a nine-track musical thrill ride that consists of live recordings from the Wayne Shorter Quartet's European tour in late 2011, the one exception being the 23-minute tone poem "Pegasus." "Pegasus" features the quartet with The lmani Winds which they recorded at Walt Disney Concert Hall in Los Angeles. Joining Wayne on this searing new album are his long-running quartet featuring pianist Danilo Perez, bassist John Patitucci, and drummer Brian Blade.The album features six new Wayne Shorter compositions, as well as new versions of his tunes "Orbits" (from Miles Davis' Miles Smiles album) and "Plaza Real" (from the Weather Report album Procession). The quartet also reinvents the title song from the 1933 musical film Flying Down To Rio, which film buffs (such as Shorter) know as the first on-screen pairing of Fred Astaire and Ginger Rogers. Check out the samples at the SOTJ store and then purchase it by clicking on the CD cover.
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Money Jungle: Provocative In Blue
Terri Lyne Carrington
Duke Ellington released Money Jungle in February 1963, a trio album with bassist Charles Mingus and drummer Max Roach. Fast forward to 2013 and a new generation of jazz lovers will be introduced to a re-imagined version of this album titled Money Jungle: Provocative In Blue which has been released by drummer and educator Terri Lyne Carrington. She is celebrating the 50th anniversary of the Ellington release with her trio featuring bassist Christian McBride and pianist Gerald Clayton. The trio is joined by an array of stellar guests including trumpeter Clark Terry, Herbie Hancock, Robin Eubanks on trombone, vocalist Lizz Wright, saxophonist Tia Fuller and several other respected musicians.
In addition to the musicians who gave their heart and soul to the making of this awesome recording, audio clips from speeches spoken by Martin Luther King, Hilary Clinton, Bill Clinton, Condoleeza Rice, and others set Carrington’s version apart from Ellington’s. Gerald Clayton is absolutely masterful at the piano as is Christian McBride who keeps the rhythm logic appropriate throughout and during his creative solos. But it is the GRAMMY- winning drummer Teri Lyne Carrington who digs deeper to redefine and reflect the real stories behind the music that Ellington composed. Her drumming and creativity ignite the cultural, political and socially relevant speeches that makes this recording accessible to another generation of music lovers as well as to those who may have missed the message Ellington wanted to convey in 1963.
Overall, the music is genuinely creative with no processed, over-saturated ingredients that pollute the musical genius of Ellington. If you enjoyed Mosaic Project, then you’ll absolutely love Money Jungle: Provocative In Blue. Listen Up at the SOTJ store and then buy it. Simply click on the CD cover.
Guitarist Kevin Eubanks showcases the breadth of his artistic influences on his new Mack Avenue Records release titled The Messenger. The recording also features members of Eubanks core quartet Billy Pierce on reeds, Rene Camacho on bass, and Marvin “Smitty” Smith on drums. Special guests include Joey De Leon, Alvin Chea and Kevin's brothers Robin and Duane Eubanks.
Kevin wrote all but two tracks and gives his listeners several ways to enjoy his music. “The Messenger” opens the set and it’s filled with Eubanks’ musical personality as he offers a range of moods, textures and tempos. He’s funky on “JB” (a nod to James Brown) and has given a new twist of funk to John Coltrane’s “Resolution.” Alvin Chea sings the vocal bass line, Kevin plays a dynamic solo and this song gets new life and is thoroughly entertaining. Kevin changes directions again and reveals the reflective side of his creativity on “Sister Veil,” “Queen of Hearts,” “Loved Ones,” and “The Gloaming.” An exceptional performance by Duane Eubanks on trumpet and Billy Pierce on reeds permeates the haunting beauty of “Sister Veil.” Here Kevin adds his guitar with a wah-wah solo that will stay with you long after the track is over.
Overall, The Messenger is a project that not only showcases the exemplary technical prowess of Kevin Eubanks and his band, but it is soulful, energetic, and emotional and represents the best of Kevin Eubanks. Listen up and then buy it from the SOTJ store. Simply click on the CD cover.
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This stellar release, by saxophonist and composer Joe Lovano is his most fully realized representation of a career-long quest to explore the notion of universal musical language. The album is an 11 track tour de force that represents 10 of Lovano's original compositions along with a stunning interpretation of the Billy Strayhorn ballad "Star Crossed Lovers." The album features his core Us Five ensemble of pianist James Weidman, bassists Esperanza Spalding and Peter Slavov, and drummers Otis Brown and Francisco Mela and is augmented with guitarist and fellow Blue Note artist Lionel Loueke. This record has funk, swagger and should be in your record collection. Check it out at the SOTJ store and then click on the CD cover art to purchase.
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The Sirens is acclaimed saxophonist Chris Potter's ECM debut as a leader, an album of mood and melody inspired by The Odyssey in both its epic atmosphere and its timeless humanity. Potter, who has been featured on many ECM albums by Dave Holland and Steve Swallow, as well as making a profound contribution to the contemporary classic Lost in a Dream with Paul Motian and Jason Moran, has composed a cycle of irresistible songs without words.Chris Potter wrote all of the compositions except “The Shades” which was written by Craig Taborn and David Virelles. “Wine Dark Sea,” opens the program and immediately sets the tone for the recording. Potter’s lyrical and emotional saxophone voice tells the story of this affecting metaphor as his bandmates provide their creative visions. An extended piano solo adds to the beauty and mystique of this piece. The title track, “The Sirens” features a highly creative bass clarinet introduction by Potter whose solo is colored by light pianism. Larry Grenadier adds a splendid bowed double bass solo later in the composition that seamlessly flows into Potter’s tenor saxophone event. All 9 songs are conveyed by a virtuosic, strikingly textured band: with Potter on tenor and soprano saxophones and bass clarinet, plus Craig Taborn (piano), David Virelles (prepared piano, celeste, harmonium), Larry Grenadier (double-bass) and Eric Harland (drums). Potter declaims lyrical lines over the dynamically inventive rhythm section, as coloristic keyboards shimmer like stars in the night sky. Check it out. Click on the CD cover to buy.
LIVE AT SCULLERS
On Live at Scullers, saxophonist Grace Kelly offers a set mostly composed of new material which shows off her remarkable instrumental virtouosity and her winsome vocal versatility. She ups her style quotient with the likes of Jason Palmer on trumpet, Zach Brown on bass, Pete McCann on guitars/ukulele, Mark Walker on drum, Eric Law on cello. Jamie Woods & Chantale Sterling are her backing vocalists.
The opening track, "Please Don't Box Me In," is traditional yet contemporary. She melds the two styles seamlessly as Jason, Pete, Zach and Mark help her stretch her creativity. The stunningly diverse set of songs also features great performances inspired by Grace Kelly’s environment, travels, friends and lovers. Listeners will hear her inspired moments on the smoldering "Night Time Star," her colorful homage about a visit to Montana on "Autumn Song" and her country-tinged ballad "Kiss Away Your Tears." "Searching for Peace" won Grace Kelly the 2011 ASCAP Jazz Composers Award. It is a scintillating burner that takes you on a musical journey that you’ll remember long after the song is over. The set closes with two familiar standards, both of which the saxophonist has recorded in the past. "The Way You Look Tonight" is reprised from Man With the Hat, and her groove-oriented take on "Summertime," which she previously recorded on her 2006 album Every Road I Walked.
This live recording seems especially created for her faithful fans at Scullers. She captures the energy of the audience and more importantly connects with them.
Wolff & Clark Expedition
Michael Wolff & Mike Clark
Pianist Michael Wolff and drummer Mike Clark take you on a musical journey that will entertain, fascinate and keep you interested. Wolff & Clark Expedition also features Chip Jackson on bass and together, the trio steers you though new musical landscapes previously un-discovered by the original composers. As they reimagine such diverse compositions as “Come Together,” “What Is This Thing Called Love,” “Mercy Mercy Mercy and “Song For My Father,” you, dear listener, will hear captivating musical symmetry that inspires because of the trio’s unparalleled innovation. Random Act Records released the recording by this emphatic trio and each song is marked with their reflective and improvisational twists, turns and uncharted directions that make these classic pop and jazz gems accessible to a new generation. As the opening track, “Come Together,” clearly indicates there is a pronounced melding of musical personalities and freshly configured themes. “Elise” rounds out the program and expressively yields the lyrical grace of pianist Michael Wolff as Mike Clark lightly comps this lovely melody. This set ranks up there with the best of Wolff’s and Clark’s previous individual offerings as leaders and session musicians, so give Wolff & Clark Expedition a listen at the SOTJ store then click on the CD cover to purchase.
While recognized for his band leading skills on his international tours and countless CD's (as well as for his sideman work with Dr. Lonnie Smith, Joe Locke, and Ari Hoenig, among others) One marks guitarist Jonathan Kreisberg's first recording made up of entirely solo guitar performances. The program boasts a daring range of material and introduces the world to his unique polyphonic approach. Although at times it's hard to believe, the entire recording is one man on one guitar with no overdubs, loops or extra tracks! Modern jazz, a Brazilian mythical tale as heard on "Canto de Ossanha", folk, and improvised music for an imaginary science fiction soundtrack ("Escape From Lower Formant Shift,") are all refracted through Kreisberg's prism to create a bold and complete tale. The repertoire includes original music alongside compositions from Wayne Shorter, Leonard Cohen, Rodgers & Hammerstein and others. Click on the CD cover to purchase.
Click on the CD cover to purchase Harlem-Kingston Express
Live From Stern Grove Festival
Live From Stern Grove Festival features the remarkable bandleader and timbalist Pete Escovedo out front with an amazing coterie of musicians having fun and treating their fans to the show of a lifetime. Accompanying Mr. Escovedo is his dynamic tentet that includes his sons Juan and Peter Michael as well as special guests: daughter Sheila E. on congas and vocals (“Solo Tu,” “Dance”); Arturo Sandoval on trumpet, (“Suenos De Los Torreros”); Ray Obiedo on guitar (“Brasiliero”); and Dave Koz on sax (“True or False”). This is one great show because of its exemplary soloing by guitarist Michael Angel on “True or False” and the consummate performances by Sheila E. on “Dance” and “Solo Tu.” But it’s Pete Escovedo swinging rendition of “Fly Me To The Moon” that makes this set special. All of the performers are amazing on their respective instruments but after performing for over 50 years with an amazing Who’s Who of musicians, Pete Escovedo is still hotter than hot and is this live show’s brightest star. Check it out. Buy Live From Stern Grove Festival today.
Top New York City vibist Christos Rafalides has released his second recording with Manhattan Vibes titled Blue November. The recording features Sergio Salvatore on piano, Mike Pope on bass and Vince Cherico on drums. The group's sound is from a vibraphone centric perspective with shades of Latin consciousness and elements of dance and groove. As a quartet, each member brings a vast array of influences and musicality which transcends musical boundaries. From the intensity of "Red and Black" to the airy tenderness of "Days of Silence," the music exudes the pure essence of the quartet - one of mutual respect. Check it out then buy it from the SOTJ store. Simply click on the CD cover.
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Esprit de Four
Keyboardist Bob James, bassist/vocalist Nathan East, guitarist Chuck Loeb and drummer/percussionist Harvey Mason offer listeners a solid program of brand new compositions written by each of them on their latest release titled Esprit de Four. Chuck Loeb contributed three songs including the melodic opening track “December Dream,” “Sonnymoon,” and “Logic of Love.” Each song reflects Loeb’s stellar abilities as a guitarist and composer but because “December Dream” prominently features Harvey Mason’s 21st century orchestral snare drums, Nathan East’s amazing vocalese and walking bass lines as well as great counterpoint from Bob James, listeners will instantly realize that the song is truly a collaborative effort. Nathan East’s and Tom Keane’s upbeat “Firefly” reveals East’s energetic electric bass chord progressions brighten the path for James’ keyboard solo and harmonic cushions from Mason and Loeb. East and Keane also wrote the romantic ballad “All I Wanna Do.” This song is a great vehicle for East’s sexy vocals and exposes another side of his creativity. “Venus” is another romantic gem that shines in the hands of Bob James and Chuck Loeb’s exemplary keyboard and guitar interplay. Mason also wrote the title track which also spotlights Loeb’s guitar expertise. Three of the more poignant compositions are from the pen of Bob James. “Put Our Hearts Together” has a vocal rendition featuring Japanese pop singer Seiko Matsuda, as well as an instrumental rendition. This song is dedicated to the victims of the tsunami that ravaged Japan in 2011 and is certainly delivered from the heart. The instrumental version is just as perceptive and features Bob James’ delicate piano work that is finely tuned to the inspired events. Overall, the entire program is one that features the insightful performances by all of Fourplay’s members and their consummate professionalism as Esprit de Four.
Blue House Recording/Pacific Coast Jazz has released Lovely Days by San Francisco Jazz Vocalist Sherri Roberts. The recording is Roberts' fourth release and is a duo session with pianist Bliss Rodriguez. Several songs from the Great American Songbook make up the set including Irvin Berlin's "It's A Lovely Day Today," Rogers & Hammerstein's "We Kiss In A Shadow," and Harold Arlen's "Hit the Road to Dreamland." Sherri Roberts' approach is understated ala Helen Merrill and Chet Baker while Bliss Rodriguez's underlines her vocals with a creative and emotional improvisations. Together they make these evergreens even more intriguing. Check them out. Then buy their set from the SOTJ store. Click on the CD cover.
Chick Corea and Gary Burton
Five years ago, Chick Corea and Gary Burton celebrated the 35th year of their vibes-piano collaboration with their first double CD, The New Crystal Silence. To commemorate the 40-year anniversary, the duo has released Hot House. The set consists of repertoire taken from some of their favorite composers and includes new arrangements of such favorites as “Eleanor Rigby” “Strange Meadowlark,” “Time Remembered,” and “Light Blue.”
Although Chick Corea and Gary Burton are a duo who don’t offer a huge portfolio of collaborations, they certainly make the most of what they have released. Witness Crystal Silence, which since its introduction in 1972, has begotten a succession of ever-more-dazzling collaborations, including Lyric Suite For Sextet, Chick Corea and Gary Burton: Live In Munich, among others, and now, missing no opportunity for a new set of duet music, Corea and Burton’s Hot House reveals two masters at work who after 40 years are as excited as ever about the music they’re playing and are genuinely enjoying themselves.
Corea and Burton employ their trusty acoustic instruments – piano and vibraphone – and which are more than sufficient to deliver a great sound that avoids sensory overload. With their prodigious power they deliver songs written by such great pianists as Monk, Evans, Tatum, Dameron, Weill and McCartney, dressed in new clothing that will surely impress the most sophisticated listeners. One new composition by Chick Corea titled “Mozart Goes Dancing,” concludes the program.
Apart from the obvious, Hot House differs from their previous collaborations due to the decades (1940s to 1960s) from which the songs emanated and the fact that not many of these songs are well-known. All of the songs sport new Corea-Burton arrangements and classic tweaks that make these songs accessible to a new generation. Check it out. Buy HOT HOUSE now. Click on the CD cover.
Live In Hollywood
Poncho Sanchez and his Latin Jazz Band
Live In Hollywood captures Poncho Sanchez doing what he does best for the past 30 years…letting it rip! As one of Concord Picante's most valuable players, the multiple GRAMMY- winning artist continues to convey the vibrant sounds of Latin Jazz wherever he is...be it Hollywood, California or San Juan, Puerto Rico. While this exceptional set just happened to be recorded live at the Hollywood & Highland KKJZ Summer Concert Series in Hollywood, California, make no mistake about the Afro-Carribbean influences you’ll hear as a result of Sanchez’s many travels abroad. Opening with “Promenade,” this swinging set gets the audience involved and ready for a medley of Poncho Sanchez’s songs that includes “Mi Negra” and “Baila Baila.” Later in the program, Sanchez pays tribute to a couple of his biggest influences – Clare Fischer on “Morning” and percussionist Mongo Santamaria on "Afro Blue." Gary Foster performs a great melody line on the alto saxophone and the song is arranged as a cha-cha. “Afro Blue,” which was written by Mongo Santamaria is delivered as a high-energy tribute complete with excellent soloing by Sanchez, flute, and the vibrant horn section that introduces and closes this all-time favorite. The set ends with a hot salsa titled “Son Son Charari,” and from the sounds emanating from the audience, Poncho Sanchez and his Latin Jazz Band had things really fired up. Overall, Live In Hollywood is the next best thing to being there. So check it out. Click on the image to purchase.
Ninety Miles Live at Cubadisco
Stefon Harris, David Sanchez and Christian Scott
Recorded May 18, 2010 at Cubadisco, one of the biggest musical festivals in Cuba, at Teatro Amadeo Roldan in Havana, Ninety Miles Live At Cubadisco features vibraphonist Stefon Harris, saxophonist David Sanchez, and trumpeter Christian Scott bringing their stellar musical visions of the Afro-Cuban aesthetic to thousands of fans. This live recording reflects their ability to communicate the power of music as a universal language and solidifies their roles as musical ambassadors. This is a very adventurous project that features excellent soloing from all three bandmates. GRAMMY nominee Stefon Harris contributes two tracks including “This Too Shall Pass,” and “Brown Belle Blues,” which were written especially for this project. GRAMMY winner David Sanchez brings his cross-cultural vision via his signature sound that merges elements of Afro-Cuban rhythms with bebop on his “City Sunrise,” and “The Forgotten Ones.” GRAMMY nominee Christian Scott contributes “Paradise Found,” a tune written by Donald Harrison. They get a help from two of Cuba’s revered pianists – Harold Lopez-Nussa and Rember Duharte, each of whom lead their own quartets. Overall, this seven song masterwork explores the chemistry of NinetyMiles (the two-disc CD/DVD package released June 21, 2011) and takes their virtuosity to another level as musicians from different cultures who converse in a common language that transcends words. Check it out. Buy Ninety Miles Live At Cubadisco now.
Marcus Miller has figured out a better way to offer his fans great music. For years he has been ahead of his generational pack of bass players/songwriters but with his new offering titled Renaissance, Marcus Miller has truly entered a new era of musical innovation. Renaissance features Miller’s new band which consists of trumpeters Sean Jones and Maurice Brown, alto saxophonist Alex Han, drummer Louis Cato, guitarists Adam Agati and Adam Rogers, and keyboardist Kris Bowers along with veteran keys wizards Federico Gonzalez Pena and Bobby Sparks. The 13-song collection includes eight original compositions, a tip of Miller’s trademark porkpie hat to the CTI Records sound of the 70s, and five re-defined works originally released by War, Janelle Monae, The Jackson 5 and Weldon Irvine. Special guests vocalists Dr. John, Ruben Blades and Gretchen Parlato round out the program. Opening with “Detroit,” Miller’s funky bass is front and center and sets the tone for a funky good time. His virtuosity leaves his fans no alternative but to keep listening to the entertaining and innovative sounds coming from his bass guitar. His solo on “Cee-Tee-Eye” is awesome and is yet another display of what a master bass player can do when they are honestly inspired. Ivan Lins’ “Setembro” (which you may remember from Quincy Jones’ version recorded for Back On TheBlock) is updated by a new arrangement that is sure to captivate you. This song features Miller on fretless bass trading lines with vocalist Gretchen Parlato and the addition of an Afro Cuban section that features Ruben Blades. Great song. While “excellent” is an understatement as a description of the entire album, Marcus Miller’s stirring composition called “Gorée (Go-ray)” is particularly moving because of the story behind the song. Gorée came to be after Marcus and his bandmates visited this African island that served as a holding cell for innocent people bound for slavery in other countries. Miller’s emotional bass clarinet sounds capture the feelings emanated from this place with remarkable clarity and genuine knowledge. Alex Han’s saxophone solo is absolutely brilliant and gives the listener a sense of the confusion and pain that may have existed there. Overall, Renaissance is another masterpiece from the musical mind of Marcus Miller. Check it out and then click on the CD cover to purchase Renaissance.
In addition to the great guitar playing that Lee Ritenour offers his listeners on his latest release called Rhythm Sessions, the 12 distinctive rhythm sections he employed are what makes this recording a masterpiece. The musicians he invited to play on these 12 sessions are an elite group of award-winning veterans as well as exciting newcomers who compliment Lee Ritenour’s amazing sound with their own versatility and innovative musical techniques.
Among the stellar special guests are Chick Corea, George Duke, Stanley Clarke, Christian McBride, Dave Grusin, Marcus Miller and the winners of Lee Ritenour’s Annual Six-String Theory International Competition and many others. The set includes compositions you are sure to love since they embrace a variety of sounds and grooves, all rooted in jazz, but also layered with shades of funk, R&B, Latin, World Music and more. Ritenour produced, arranged and wrote 5 of the songs with several of the featured musicians as inspiration.
The set opens with “The Village,” a funky piece that features George Duke out front on Fender Rhodes and Moog synthesizer with Lee, Stanley Clarke, Dave Weckl and Munyungo Jackson doing their thing. This song features a dynamic solo by Clarke on acoustic bass and the awesome chops of Ritenour. “River Man” features Kurt Elling’s expressive vocals and storytelling and the accompaniment of Dave Grusin, Nathan East, Will Kennedy, Ariel Mann and a soulful solo by Lee Ritenour. This is one great song and is certain to get a second and third listen from you, dear listener. With a dynamic aggregation of musicians that includes Patrice Rushen and Marcus Miller, Lee once again proves his worth as a musician and dynamic interpreter on Herbie Hancock’s “Fat Albert Rotunda.” Miller contributes his trademark funky bass riffs and Patrice Rushen’s distinct character on acoustic piano shines through beautifully.
Christian McBride offers his awesome acoustic bass interpretation during a solo on “800 Streets By Feet” – a song made famous by EST. Chick Corea’s “Children’s Song” gets an update from the master himself as he and Lee are accompanied by Alan Pasqua, Peter Erskine, Chuck Berghofer and Ariel Mann. John Beasley’s piano playing on “Spam-Boo-Limbo" is an effective highlighter for Lee’s spirited guitar playing. One of the prettiest songs on the CD is “Rose Petals.” The song is played with the same delicacy as a rose petal and everyone contributes brilliant bits of musicality. While all of the songs on this great program are priceless, the addition of these masterful players makes this one of Lee Ritenour’s best recordings in his repertoire. Buy Rhythm Sessions now. Click on the CD cover.
Let's Misbehave: The Cole Porter Songbook
GRAMMY award winner Cheryl Bentyne is at her best when singing with her group The Manhattan Transfer. However as a soloist, she has come into her own as a fascinating interpretor of songs written by the legendary composer Cole Porter. As with her previous 2009 import release The Cole Porter Song book, on Let’s Misbehave: The Cole Porter Songbook, Ms. Bentyne offers her fans a wide array of Porter’s hits including “Night and Day,” “Begin the Beguine” and “My Heart Belongs to Daddy.” Joining in on the fun is a superb coterie of musicians including guitarists Tom McCauley, Octavio Bailey and Larry Koonse; Corey Allen on keyboards and banjo; Doug Webb on reeds; Chris Tedesco on trumpet; bassist Kevin Axt also on tuba; Dave Tull on drums/percussion; and 2 heroic performances by the late jazz tenor sax giant James Moody in one of his final recorded appearances. The vocals are humorous, sexy, and mysterious and Bentyne’s inventive singing style swings and sizzles. This is one of her better offerings as a band leader and you’re sure to enjoy it. Check it out. Click on CD cover to purchase.
Christian aTunde Adjuah
Christian aTunde Adjuah—(Christian Scott’s new name, and the aame of his new CD) continues to delve into uncharted jazz territory as the artist analyzes his African heritage, New Orleans ancestry, and present Harlem lifestyle on the two-disc set. “The album cover is a self-portrait, a two-tiered depiction of me in the ceremonial regalia of the Afro-Native American Culture of New Orleans-- colloquially known as Black Indians or Mardi Gras Indians. Christian’s band consists of guitarist Matthew Stevens, drummer Jamire Williams, bassist Kris Funn and pianist Lawrence Fields. Christian also recruited guests; tenor saxophonist Kenneth Whalum III, alto saxophonist Louis Fouche IIII, and trombonist Corey King.
“Fatima Aisha Rokero 400,” opens Disc One, where the trumpeter boldly soars over Stevens’ guitar and eerie muses. “New New Orleans (King Adjuah Stomp),” is a rhythmic bouncer about the resilience of post-Katrina New Orleans. He shines on his quiet, muted-trumpet as they perform “Who They Wish I Was” about how people have equated his band with the classic Miles Davis Quintet of the ‘60s; the pounding “Pyrrhic Victory of aTunde Adjuah” is about the negative reactions of people to Scott’s name completion; while "Kiel," is a reflective musical portrait of Christian’s twin brother.
The second disc includes the catchy melody, guitar-growled, hopeful “The Berlin Patient (CCR5)”; the snappy-drum patterned “When Marissa Stands Her Ground”; the melodic tune “Liar Liar”; and the ballad “I Do” that Christian wrote to celebrate his engagement. “Cara” ends the album with its romantic beauty that spotlights his breathy trumpet lines over Fields’ rich piano comping. Overall, Christian aTunde Adjuah is a masterwork and places him among the best trumpeters and composers of his generation. Buy it now. Simply click on the CD cover.
Downbeat is an explosive mix of jazz, rock, classical and jam band influences performed by Lao Tizer with Chieli Minucci, Karen Briggs, Jeff Kollman, Rufus Philpot, Raul Pineda and Steve Nieves. Tizer wrote 5 of the 12 new songs for this recording including “World In Rhythm” (co-written with Minucci) which is the first single from the CD. The hard-driving “Acid Rain” opens the set and sets the tone for what’s to come. “Pulse” is a real winner that features great synthesizer riffs and powerful drumming. The song leads to “The Slip” a funky, groove that truly contrasts the ethereal “Coming of Age.” Karen Briggs does a very fine job on “World In Rhythm” and “Tanzanika.” The funky title track comes late in the set – almost at the end – but still allows time for the listener to dig deep into the remaining tracks “Reunion” with its Brazilian flavors and “The Next Step” which closes the program. The entire recording is indicative of Tizer’s musical growth as a composer and keyboardist and should reinforce his stature on the World Music and Fusion stages around the globe. This set is lively and energetic but also focuses on Tizer’s command of the universal language of music which should be complimented and applauded. Buy Downbeat today.
Hot Club of Detroit
Hot Club of Detroit (HCOD) proves itself a versatile modern jazz group, with a unique acoustic-electric sound that surges past expectations and genre boundaries. Junction is the group’s follow up release to It's About That Time, but this time they have expanded their sonic and compositional horizons by adding French vocalist Cyrille Aimée on three tracks. Guitarists Evan Perri and Paul Brady, accordionist Julien Labro, bassist Shawn Conley, saxophonists Jon Irabagon, and Andrew Bishop, make up the core ensemble. The band’s power and timbral variation is immediately asserted by Irabagon on the opening track, "Goodbye Mr. Anderson." The writing of Labro and lead guitarist Evan Perri is also central to the album's sound. From their rich creative exchange comes the flowing soprano sax/accordina melody of "Song For Gabriel"; the Pat Metheny-esque 6/8 time of "Junction"; and the French-style waltz "Midnight in Detroit." John Zorn is the inspiration behind "Chutzpah," with a blasting free-form intro that gives way to precise ensemble passages and a riot of changing tempos and feels. "Django Mort," was inspired by a Jean Cocteau poem. Aimée sings the French text as the band plays in a laid-back shuffle feel with a romantic flair. Ornette Coleman's "Lonely Woman," also arranged by Labro, features Irabagon on alto saxophone and Aimée singing a lyric written by Margo Guryan. The darker and calmer "Goodbye Mr. Shearing" honors the late piano master George Shearing. Perri and Labro also co-arranged "Rift," by Phish's Trey Anastasio, to close the album. Overall, Junction is a great mix of pop-oriented material and avant-garde and gypsy jazz. Buy Junction today. Simply click on the CD cover image.
Brian Bromberg's Depth Revealed on Three New Titles
Compared to That
Brian Bromberg’s year has been exceptionally musical with the release of three recordings within one month! Compared To That is Bromberg’s 20th solo collection and features 8 new songs, 2 covers, a ten piece horn section as well as a full orchestra string section and accompaniment by prominent musicians. He plays a variety of basses including piccolo basses tuned to sound like guitars, as well as acoustic and electric basses. Master musicians George Duke, Bela Fleck, Mitch Forman, Larry Goldings, Jeff Lorber Randy Brecker and several others lend their visionary accompaniment on these imaginative renditions and originals. Standing out is “Give It To Me Baby,” one of Rick James’ hits and “I’m Just Saying” as well as the swinging take on “Does Anybody Really Know What Time It Is?” Once again, Brian Bromberg takes bass playing to new heights and directions that many of his generation fear to tread.
Bromberg Plays Hendrix
It’s hard to imagine a bass player playing the lead melodies of Jimi Hendrix’s fiery compositions that made him a household name in the 70s and beyond. But on Bromberg Plays Hendrix, bassist Brian Bromberg does just that as he pays tribute to one of the greatest rock guitarists of all time. Bromberg accomplishes this major feat by playing piccolo basses and making them sound like Hendrix’s lead guitar! Bromberg is absolutely amazing on these fretless basses in the role of lead guitar. They definitely distil the melodies from Hendrix’s vocals and the fire from his awesome guitar playing. In addition Bromberg plays electric and acoustic basses and is only accompanied by Vinnie Colaiuta on drums! What a great CD! Hits such as “Fire,” “Hey Joe,” and “Purple Haze” get the Bromberg touch and he rocks these songs straight to your soul. Buy it now.
In The Spirit of Jobim
In The Spirit of Jobim was previously released in Asian territories but Bromberg recut, remixed, and remastered the songs playing new bass parts using his line of Carvin guitars. This disc is comprised of five classics made famous by Jobim including “One Note Samba,” “Wave,” and seven of Bromberg’s original compositions. Accompanied by the string section of the Rising Sun Orchestra and several master musicians, including Airto, Otmaro Ruiz, Gary Meek, Oscar Castro-Neves, Alex Acuna and others, this disc is stunningly romantic, beautiful and serene. Overall, this amazing collection is among Brian Bromberg’s masterworks and should be in your music library – not on the shelf but in constant rotation. Check it out and then buy it here today.
Al Jarreau and The Metropole Orkest Live
Text: Courtesy of Concord Music Group
Making the old new again is what Jarreau has been doing with music since his childhood in Milwaukee, Wisconsin. Born in 1940, he sang his first songs in his church choir (his father was a vicar). Although armed with a degree in psychology and some early career experience in social work, he made a dramatic career change when he moved to Los Angeles and began singing in small clubs along the West Coast.
Although he recorded an album in the mid ‘60s, he didn’t make his first significant mark on the music scene until the release of We Got By in 1975. Early praise from the critics translated to commercial success in 1981 with the release of Breakin’ Away, the 1981 album that generated the hit single, “We’re In This Love Together.” He made a huge and recurring splash in American living rooms a few years later when he recorded the theme music to Moonlighting, the hit TV series that ran through the latter half of the 1980s and continues in syndication to this day.
Jarreau enjoyed moderate success in the following decade with albums like Heaven and Earth (1992) and Tenderness (1994), then got a boost in 1998 when he reunited with producer Tommy LiPuma, with whom he’d recorded We Got By more than a decade earlier. The Jarreau/LiPuma partnership resulted in a string of successful albums, including Tomorrow Today (2000), All I Got (2002) and Accentuate the Positive (2004). Givin’ It Up, his 2006 collaboration with George Benson, resulted in two Grammy Awards.
For all of Jarreau’s studio successes over the decades, Al Jarreau and the Metropole Orkest - Live offers recorded proof that he’s still a master in front of a live audience as the frontman to a fully staffed orchestra.
Gerald Albright and Norman Brown
Contemporary jazz greats Gerald Albright and Norman Brown join forces on a new Concord Jazz recording titled 24/7. The ten compositions reflect their command of the soul-jazz style and also speaks to the commitment and the camaraderie that each of these artists has to their professions and to each other. The recording spotlights Norman Brown on lead and rhythm guitars and Gerald Albright on alto, tenor and baritone saxophones with an ensemble of supporting musicians that includes Tracy Carter on keyboards, Ricky Lawson on drums, Herman Jackson on keyboards, Byron Miller on bass, and Selina Albright adding vocals, plus several other excellent sidemen doing what they do best. “In The Moment” is the opening track and sets the tone for the remainder of the CD. This one is uptempo and filled with funky riffs and phrasings that make its hook very memorable. “Keep It Moving,” does just that and features the duo offering some tantalizing licks and phrasings that you are sure to enjoy. “Perfect Love” is a sweet and sexy ballad that shows another side to Brown’s and Albright’s musical personalities. This song also reveals Norman Brown’s songwriting skills and his ability to connect on a different level with vocalists and Gerald Albright’s horn arrangement. The title track has Albright playing flutes, bass guitar, percussion and alto saxophone in addition to providing the programming! This song is beautiful and is the kind of song that you can get into for 24/7. Overall, Brown’s fluid playing and clean articulation coupled with Albright’s creative horn arrangements and pure saxophonics, makes 24/7 a great way to spend your day. Check it out and then buy 24/7 today.
Jazz Samba Project
Veronneau’s highly anticipated follow-up to their first album Joie de Vivre has arrived! Jazz Samba Project was inspired by the bossa nova music of Brazil paired the sound of American jazz and fits perfectly within their current band’s format. The group features Ken Avis on acoustic guitar and vocals, Lynn Veronneau on vocals, David Rosenblatt on acoustic guitar and Pete Walby on drums alongside guest musicians Jeff Antoniuk on tenor sax, Alejandro Lucini on percussion and Jim McFalls on trombone. The program explores the world of bossa nova and includes classics from Borroso, Jobim, Powell, Ben, as well as their own bossa treatments to some contemporary songs by Marley, among others, as a celebratory tribute to the original Stan Getz and Charlie Byrd 1962 album’s golden anniversary. Throughout the program, Lynn Veronneau’s vocals are longing, sensual, soft, sad, happy, and layered within the samba rhythms and jazz elements. She sings in Portuguese on “E Luxo So,” (“So Luxurious”), in French on the beautiful “Samba Saravah” and “Autumn Leaves,” and in English. All of the songs are absolutely beautiful and the arrangements are stellar and translate well from the original compositions. Among the standouts are Veronneau’s dreamy vocals on “So Luxurious,” David Rosenblatt’s melodic and harmonic sense on “September Moon,” that also features easy brush strokes by Pete Walby. Antoniuk’s masterful saxophone solo raises the energy on “One Note Samba” while Ken Avis’ guitar on Baden Powell’s “Samba Saravah” with its repeating chords is like waves washing over a beach! The group ends the program with Antonio Carlos Jobim’s revered “Wave” which features the fresh energy of traditional Brazilian instruments – surdo drum, pandiero and shakers – and takes us back to the roots of bossa nova. This is Jazz Samba at its best. Buy Veronneau’s Jazz Samba Project today.
When you were young and your heart was like an open book, you used to say, live and let live! Well now that you’re more experienced, you’ll certainly enjoy The Cookers, a super-septet of legendary jazz musicians who’ve lived and let live. Their newest release for Motema called Believe, is a staunch reminder of the collective talents of five of its members –tenor saxophonist Billy Harper, trumpeter Eddie Henderson, pianist George Cables, bassist Cecil McBee and drummer Billy Hart. These five have performed with such great jazz musicians as Lee Morgan, Max Roach, Art Blakey, Herbie Hancock, Dexter Gordon, Art Pepper and Charles Lloyd and together, they are the perfect combination for the septet’s innovative founder/ trumpeter David Weiss and exceptionally talented alto saxophonist Craig Handy. Harper, Cables, McBee and Hart composed all of the songs with the exception of “Free For All” which was composed by Wayne Shorter.
The set opens with the “Believe, For It’s True,” a track from Harper’s 1980 album The Believer. The daring solos emanating from Harper’s tenor saxophone and Weiss’ trumpet form the basis for this great composition that keeps you interested from the first note to the last. The adventurous explorations continue on McBees’ beautiful ballad called “Temptation(s),” which segues into “Ebony Moonbeams,” another beautiful gem written by George Cables. The Cookers heat things up with Wayne Shorter’s “Free For All,” arranged by Weiss and on which five great solos take this set to another level. Listeners will certainly appreciate the daring improvisations that definite say something about the top-to-bottom command of their instruments. This set really cooks! Overall, this recording is an explosive set of post-bop originals that will make you Believe in The Cookers! Buy Believe today.
Sounds of Space
Sounds of Space, is the debut recording of pianist/composer Alfredo Rodríguez for Mack Avenue Records. The 11-track masterwork is “about the space that surrounds us,” explains Rodriguez. “In this record I wanted to introduce myself: here are the people, the places and the sounds that have surrounded me, and made me who I am.” After one listen to this exemplary work, you are sure to feel as if you’ve known the 26 year old from Havana, Cuba for several years because his music arouses that kind of kindred spirit you sense when someone of Quincy Jones’ stature is your mentor and co-producer. Rodriguez opens the program with a tip of the hat to Q with the energetic “Qbafrica” which mixes elements of avant-garde jazz with Afro-Cuban, Brazilian and African music. Rodriguez’s classical virtuosity shines on such tracks as “April” and “Fog” while such songs as “Sueno de Paseo” and “Cu bop” and “Y Bailaria La Negra?” celebrate his Cuban heritage and jazz great Bud Powell respectively. Sounds of Space also features Rodriguez’s brilliant septet who lend their musical perspectives in eloquent and exciting performances. Overall, this is a brilliant debut by a brilliant pianist/composer. “That which is true never ends.” Buy Sounds of Space today.
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Saxophonist Grady Nichols’ latest release called Destinations is an exceptional musical journey that has something for everyone. He explores several musical categories in a contemporary jazz setting and uses a variety of instruments to enliven his tour through Jazz, Blues, Pop, Country and Reggae genres. Along the way, he treats fans to his radio friendly hit, “You Know Me,” Keith Urban’s, “Only You Can Love Me This Way “ and Journey’s classic, “Faithfully.” Songwriter and producer Chris Rodriguez is also on board, co-writing 7 of the 12 tracks and making the trip more scenic with such songs as “London Baby,” “Only Dreamin’” and “Nothin’” Better.” This recording is packed with great saxophonics from Grady who uses the saxophone as the main voice throughout the CD. However, 3 guest vocalists – Bill Champlin on “You Know Me,” and Chris Rodriguez & Krista Branch on “Nothin’” Better,” provide the vocal honors in their respective spotlights. Overall, Destinations is the place to hear great songs performed in a wide array of styles, emotions, and for all the right reasons. Check it out. Buy Destinations today.
Freedom Jazz Dance
Dr. Cynthia Felton’s Freedom Jazz Dance features a collection of standards that the award-winning vocalist ‘loves to sing.’ The 12-track collection also features a galaxy of 19 jazz greats who accompany her on this multi-faceted recording. Among those musicians are pianists Cyrus Chestnut, John Beasley, Patrice Rushen and Donald Brown; bassists Ryan Cross, Robert Hurst; drummers Terri Lyne Carrington and Lorca Hart; Wallace Roney on trumpet; Munyoungo Jackson on percussion and many more. Lyrics have been added to such favorite instrumentals as “Take 5,” “Cherokee,” and of course, “Freedom Jazz Dance.” Dr. Felton’s multi-octave voice brings a new dimension to these time-tested gems and her fans are sure to enjoy how she makes each song new again with exciting scats, elongated phrasing and her passionate readings. The distinctive selection of blues, jazz and gospel composition makes this recording highly versatile and should bring more attention to the artistic integrity of Dr. Cynthia Felton as a vocalist and producer of high-quality recordings. Click on CD cover to buy Freedom Jazz Dance today.
Pianist/composer/producer David Benoit seems to be able to master any genre of music be it Jazz, Classical, Pop, Latin, World or musical scores for film and television. On his latest inspired offering titled Conversation, Benoit has a lot to say as he performs with an exciting cadre of musicians who hail from a broad spectrum of musical styles and backgrounds. In addition to his stellar performances on “Napa Crossroads Overture” (which he co-wrote with David Pack) and “Diary of A Wimpy Kid” (from the movie of the same name), he shares his amazing versatility on 7 of his original compositions. Several guest artists including the Asia-America Youth Orchestra, electric guitarist Jeff Golub, acoustic guitarist Pat Kelley, guitarist David Pack, flutist Tim Weisberg, and classical pianist Robert Theis make valuable contributions to David’s musical repertoire and keep you interested. Among the great highlights – and there are many – is Benoit’s beautiful “Kei’s Song Redux” after the song called “Kei’s Song.” He wrote the original not long after he and Kei were married and the update features some great solo guitar work from Pat Kelley as well as his own great pianism. This is an amazing track. “Q’s Motif” is based on a boogie woogie motif written by Quincy Jones. Here Benoit plays synthesizer and gives his fans another side of his musical personality. The title track closes the program. This composition is the third and last movement in a suite titled Music for Two Trios and features a classical trio comprised of pianist Robert Theis, violinist Yun Tang, and cellist Cathy Biagini. This awesome work also features great soloing from Jeff Golub and David Benoit. Overall, Conversation is among David Benoit’s greatest performances. You’re sure to enjoy it so check it out. Click the CD cover to buy Conversation.
Journey With Me
When you hear Noel Webb, you’re hearing the sound of his soulful, passionate electric violin developed and fused over sizzling textures of hard rock, contemporary jazz, urban spoken word, classical and techno music. In other words, Noel Webb has something to say and it’s clear from his multi-dimensional body of work on Journey With Me. This exciting musical journey is first class and features Noel rocking out on five extended tracks that will keep you mesmerized. Led Zeppelin’s “Kashmir” is explosive and receives the honor as the CD’s second track. Noel Webb arranged this iconic track and plays electric violin, strings and percussion alongside Brian Price on guitar, Patrice Jonz on bass, Alzie Ramsey on synths, and Eric McKain on percussion. Webb rocks you back to the path when his violin became his main axe of choice and you might not be able to drag your friends away from this highly charged track. “You Really Need To Grow” is a hybrid of spoken words pumped up with hip hop and rock riffs. Noel co-wrote this song with Marcello de Francisci who also plays acoustic guitar, percussion and strings while Webb’s vocals capture the gut-level momentum that is propelled by the meaty bass sounds of Patrice Jonz and the electric guitar of Brian Price. “Come Close, I Will Hold You” is yet another great song which spotlights Webb’s amazing talents. Co-arranged with Dennis Moody, this love song is beautiful and digs deep into an intimate realm of Webb’s compositional integrity. The title track is appropriately titled since it encompasses the broad-minded harmony at the CD’s core. Overall, Noel Webb and his band navigate Journey With Me with deeply felt solos and exciting musicality. Check it out. To buy the EP, click on the CD cover image.
The Creep is Grammy-nominated saxophonist and composer Ted Nash’s eleventh recording as a leader. The recording is comprised of a new piece by saxophonist Sherman Irby and four new songs by Nash. Three songs Nash wrote for Doug Chang’s film titled Chaography: Variations on the Theme of Freedom sparked the idea for the recording and also made the cut. Nash recently acted and performed with his quartet in the film which is loosely based on the free jazz alto saxophonist named Ornette Coleman. Coleman’s original work titled “Kaleidoscope” is also included on the recording.
Released by Plastic Sax Records on March 27, 2012, the highly versatile Ted Nash returns to the intimate setting of the quartet to bring his visions for the music alive. His accompanists - Ron Horton on trumpet, Paul Sikivie on bass, and drummer Ulysses Owens – help Nash to make important free jazz improvisations in the piece more expressive with prominent melodic solos and phrases. Check out Horton’s, Owens’, and Sikivie’s soloing in “Burnt Toast and Avocado” as they express the meaning of the title in the music. Nash continues to convey the various moods (there is no one mood throughout) with his awareness of his alto’s many saxophonics. On the title track, Nash changes the dynamics and tempo and gets real bluesy. You are sure to like this song as it is filled with experiments, and free jazz improvisations. “Cabin Fever” features sustained notes that defy circular breathing while the lightning quick statements at the head of “Twilight Sounds” and “Kaleidoscope” (including sax squeals, free note runs, bass playing, and power drumming) are new directions for the creative output of Nash and Irby since they are mostly associated with their swinging orchestral sounds as members of the Jazz at Lincoln Center Orchestra.
Overall, the playing on The Creep is at virtuosic levels and certainly fits into the development and temperament of repertoire for the instruments –alto saxophone, trumpet, drums, and bass – for which the album was written. Highly recommended. In addition to CDs and digital downloads, The Creep will be available in limited-edition Vinyl. To buy The Creep, click on the CD cover image.
Dear Diz (Every Day I Think of You)
Arturo Sandoval pays tribute to Dizzy Gillespie in a big way! His dedication to one of jazz’s greatest innovators is the result of stellar collaborations with some of today’s most in-demand musicians. All show their depth of gratitude on this 11-track masterwork that includes many of Gillespie’s prized songs re-imagined with state-of-the-art technology. Sandoval invited several top notch musicians including Latin GRAMMY Producer of the Year Gregg Field who also performs as a guest drummer; the great vibraphonist Gary Burton, Yellowjackets’ saxophonist Bob Mintzer, organist Joey DeFrancesco, clarinetist Eddie Daniels, actor Andy Garcia on percussion and vocalist Manolo Giminez. On the opening track, we hear Dizzy Gillespie’s voice introducing a young Arturo Sandoval as “one of the young grand masters of the trumpet” during a live performance in the late 1980s. “Bebop” follows dressed in a new arrangement by GRAMMY winner Gordon Goodwin. This classic from Gillespie’s songbook is performed by the entire big band and it’s a real gem. Goodwin also arranged “Salt Peanuts!” and gave it new fire. Other great songs include “Birks Works” arranged by Shelly Berg and features Plas Johnson on saxophone. Brand new is the classical string quartet arrangement of “Con Alma” by GRAMMY winner Nan Schwartz. The song is elegant, tasteful and even more beautiful. Overall, the entire recording is a first-rate tribute to Dizzy Gillespie by a first-rate trumpeter named Arturo Sandoval. Buy the CD today. Click on the CD cover image.
Live at Art D’Lugoff’s Top of the Gate
Resonance Records’ collections of unreleased live performances are being made available for your listening pleasure. This is definitely great news for fans of such legendary musicians as Bill Evans and Wes Montgomery, both of whom benefit from the artistic prowess of label president George Klablin. Klablin was 22 years old when he recorded Bill Evans Live at Art D’Lugoff’s Top of the Gate 40 years ago so once you hear the CD, which was digitally remastered from the original tapes, you will gain a sense of what it was actually like being there that evening. The remastered live recording is pristine and gives listeners an up front seat at the October 23, 1968 concert that featured the Bill Evans Trio with Eddie Gomez on bass and the newly hired Marty Morell on drums. The double-disc set includes such great songs as “Emily,” “’Round Midnight,” and “My Funny Valentine,” as well as the time-honored standards “Autumn Leaves,” and “In A Sentimental Mood.” Evans is in top form at the piano and plays with the kind of sentiment and passion that kept his fans coming back time and time again. Check it out. To buy the CD, click on the CD cover image.
The Music of America: Wynton Marsalis
On January 24, 2012, Masterworks Jazz released The Music of America: Wynton Marsalis. The double-disc recording is Mr. Marsalis’ self-curated collection of songs for the label’s The Music of America series. The repertoire includes songs from a 13-year span in the 30 year career of Wynton Marsalis. Fans worldwide have experienced the genius of Mr. Marsalis on several different levels and here, only a small sample of the maestro’s oeuvre is represented on The Music of America: Wynton Marsalis. You will hear songs originally released on Jump Start & Jazz, Big Train, Sweet Release & Ghost Story, The Marciac Suite, All Rise, and his Pulitzer Prize winning epic titled Blood on the Fields. Bluegrass, jazz, classical, marches, symphonic, it’s all here. Prepare for a musical tour of American music. Each track takes the listener on a musical journey—a journey filled with Americana, rich colors and textures associated with jazz music, and the glorious musical metaphors that personify Marsalis’ genius. Buy The Music of America: Wynton Marsalis today. To learn more about Wynton Marsalis and his exciting career, please visit www.wyntonmarsalis.org.
Click on image to buy CHANGES
The best analysis for Carmen Lundy’s music is that which the title and lyrics of her songs themselves furnish when we listen closely. The award-winning vocalist/composer/arranger may also be called a romantic especially since her present offering titled Changes is a masterpiece of melodic simplicity and emotional expressions. However these elements (melodic simplicity and emotional expressions) do not prevent Ms. Lundy from making it clear that she is a truly remarkable jazz singer who can deliver a song with vivid colors, mosiac-like textures and swing with the best of today’s jazz musicians or sing an intimate ballad while still focusing her romantic imagination. From the opening retro stylings of “The Night Is Young” to the profound tenderness of the last sentence of “Where Love Surrounds Us,” Carmen Lundy keeps you mesmerized. The set consists of 9 inspired songs either written or co-written by Carmen Lundy with the exception of “A Nightingale Sang In Berkeley Square.” Ms. Lundy sings, plays the harp, and also wrote the string and horn arrangements. Joined by her ensemble of Anthony Wonsey on piano and Fender Rhodes, Kenny Davis on acoustic and electric basses, Jamison Ross on drums and percussion, guest artist Oscar Castro-Neves on guitar, Nolan Shaheed on trumpet and flugelhorn and George Bohannon on trombone – all play equally well and compliment Ms. Lundy with the highest quality of their musicality. Her multi-octave vocals are beautiful, convincing and faithfully illustrated with no unnecessary riffing or vocal gymnastics. Overall, all of the songs are sung superlatively and with Changes, Ms. Lundy tops the high standards set on her previously released recordings. Buy Changes today.
The Good Feeling Christian McBride Big Band
The Good Feeling is Christian McBride’s big band debut project for Mack Avenue Records and it’s a keeper. The programming is as well mixed as a great martini and includes tasteful renditions of three great songs sung by Christian’s wife, vocalist Melissa Walker. Theirs is a revelatory collaboration that refines her sultry take on “When I Fall In Love,” hits its maker’s mark on “The More I See You,” and feels just as heartfelt as the original rendition of “A Taste of Honey.” This exceptional recording also features McBride’s re-arrangements of previously released songs including “Brother Mister,” (from Kind of Brown) “The Shade of the Cedar Tree,” “In A Hurry,” (from Getting’ To It) and “Science Fiction” (from Sci-Fi) as well as evolved readings of “Broadway,” and “I Should Care.” McBride gets straight down to business on “Shake and Blake,” a song written for long-time band mate/collaborator saxophonist Ron Blake. With a limitless variety of high and low brass soloing, the listener can immediately hear the sense of sustained momentum and immaculate execution of McBride’s arrangements. He takes a bass solo that is followed by a full orchestral tutti that will have you swinging to the beat and before you realize it, you’re languishing to another great solo on “Broadway.” This song conjures up the great Duke Ellington and like Ellington, McBride is a can-do musician who is driven by the urge to not just perform music but to create the contexts in which the experience of listening to it is most powerful. “Bluesin’ In Alphabet City,” focuses mostly on McBride’s detailed explorations commissioned for the Jazz At Lincoln Center series back in 1995. As then, it still contains every color, timbre, and nuance that exists in the blues and features stellar trumpet solos and McBride's exemplary bass soloing. Overall, you’ll be quite blown away by the end of this program which is 70 minutes of some of the best big band music of this century. This music will leave you with The Good Feeling. Click on the CD cover image to purchase The Good Feeling.