Guitar virtuoso Stanley Jordan connects and reflects with several of his Friends on his latest recording for Mack Avenue Records. Alongside such jazz greats as violinist Regina Carter, trumpeter Nicholas Payton, saxophonists Kenny Garrett, Ronnie Laws, guitarists Charlie Hunter, Russell Malone, Bucky Pizzarelli and Mike Stern as well as his longtime rhythm section of bassist Charnett Moffett and drummer Kenwood Dennard, the guitarist performs bold array of songs from several genres. Their set opens with “Capital J” a straight-ahead burner featuring Kenny Garrett on soprano saxophone and Nicholas Payton on trumpet while Stanley comps behind their blazing improvisations. “Walkin’ The Dog” and “Lil Darlin’” both reveal Jordan’s excellence as a guitarist who is capable of doubling with like-minded guitarist. He and Charlie Hunter give this B.B. King hit an edge that you’re sure to enjoy while his collaboration with jazz guitar great Bucky Pizzarelli creates a dreamy romantic feel. “I Kissed A Girl” is one of the best songs on the CD and once again features Stanley with Charlie Hunter in an all-out romp through this chart-topping Katy Perry hit on which Stanley plays piano and guitar. This song rocks! Regina Carter is featured with Ronnie Laws on “Samba Delight” and puts one in the mind of a night in Brazil while her return with Stanley on “Romantic Intermezzo” which is based on Bartok’s Concerto for Orchestra shows their versatility as violinist and pianist respectively. Overall, this is one of the best recordings from Stanley Jordan in a while and it should be in your collection. Click on the CD cover image to purchase FRIENDS.
Revolution Jon Regen
Jon Regen presents his newest release, pairing 10 new works with such special guests as Andy Summer of The Police and Benmont Tench of The Heartbreakers. Revolution (JRM, 2011) also features three songs Regen co-wrote with Matchbox Twenty front man Rob Thomas (“Just Waiting For You”) and UK soul phenom David McAlmont (“Spirits of the Soul,” “Run Away”).Regen provides vocals and plays an assortment of instruments including piano, Wurlitzer, melodia and drum programming. The songs are an artful mix of the Jazz, Pop, and Rock genres that highlight humor and heartbreak. Regen and his accompanists recorded in seven cities on two different continents, but despite the globe trekking, Jon Regen sings with consistency and believability. The ensemble really delivers on “Revolution,” “She’s Not You, (But Tonight She’ll Have To Do)” and “Fighting For Your Love,” a crowd-pleasing duet that he sings with Dana Fuchs. On the latter, Regen breaks loose with a high-energy piano solo that is sure to have any audience on their feet. “One Part Broken, Two Parts Blue,” and “Spirits of the Soul” reflect the sensitive side of Regen’s creativity and are the kind of songs that are destined to become pop standards that you can enjoy for years to come. All of the songs are pristinely recorded and with the addition of such special guests as George Marinelli on guitar on two songs and Matt Rollings, who plays organ, accordion, mellotron and glockenspiel on four songs, Jon Regen offers a splendid program that he has carefully conceived with a winning team of very creative musicians. Please enjoy it that way. Click on the CD image cover to purchase Revolution.
Too Darn Hot, Pages of Paich Vol. 1 Jeff Hedberg and C11
As the debut release in Jeff Hedberg’s two-volume Pages of Paich project, Too Darn Hot re-introduces listeners to the genius of singer Mel Torme and songwriter Marty Paich. As a long-time enthusiast of Torme’s music, Jeff Hedberg formed C11, a group of Chicago musicians based upon Marty Paich’s Dek-tette. They recorded 29 tracks from the Torme-Paich albums using 15 arrangements from several of Torme’s albums. The result is Too Darn Hot, Pages of Paich, Vol. 1, a 15-track program that reveals Hedberg’s artistic integrity as a vocalist and trumpeter. The set opens with “Too Close For Comfort” and continues with Torme’s trademark “Lulu’s Back In Town.” Hedberg sings in clear, unified tones and with the kind of high artistry one would expect from this impressive ensemble of musicians. He swings convincingly on “Something’s Gotta Give” and speeds up the tempo on “The Lady Is A Tramp.” On both of these songs Hedberg’s phrasing and delivery are solid and progress in time with his swinging rhythm and brass sections. The program also revolves around songs from the Great American Songbook, Films, and Broadway musicals including great renditions of Irving Berlin’s “Let’s Face The Music and Dance,” (a song he wrote for the film Follow the Fleet), “Old Devil Moon” (from Finian’s Rainbow), the title track “Too Darn Hot” (from Cole Porter’s play Kiss Me Kate), and “Fascinating Rhythm” (from Lady Be Good). Throughout the entire set, Hedberg is consistent in his vocalese, scatting and presents a different facet of Torme & Paich’s genius as opposed to approaching the material as an advance on their particular evolutionary scale. Overall Jeff Hedberg’s approach to these songs is rampant with swinging rhythms and the core elements of West Coast Cool style of jazz singings that make these songs such an aural pleasure. Check it out.
Something Special
Jimmy Amadie
Pianist Jimmie Amadie performs many of your favorite songs on his first trio session recording titled Something Special. Amadie, who is battling lung cancer, is joined by drummer Bill Goodwin and bassist Tony Marino on two of Amadie’s own compositions as well as 8 revered songs from the Great American Songbook. Jimmy Amadie swings his way through “All The Things You Are,” “Con Alma,” and “Autumn Leaves, “with the kind of finesse and individuality reserved for pianists of his generation who are still fleet-fingered but sensitive to the song’s original meaning. His playing shows no signs of his well-documented struggle with tendonitis and one listen to the beauty and romance in these interpretations will have you enamored with his resonating tones that swing in several different tempi which his trio has no problem exemplifying. The recording is definitely Something Special and should be in your music library under great piano jazz! Check it out.
Round Midnight
Karrin Allyson
Round Midnight is Karrin Allyson’s latest offering on the Concord Music Group label. She sings songs culled from the vaults of the Great American Songbook, jazz standards and other great songs that hold special meanings for her and her fans. Joined by such stellar musicians as Bob Sheppard on winds, Matt Wilson on drums, Rod Fleeman on guitars, Ed Howard on bass, and Randy Weinstein on harmonica, Karin Allyson’s set is both sensual and dramatic due to the versatility of her way with lyrics and storytelling. Opening with the rarely heard Bill Evans’ gem “Turn Out the Stars” Karrin immediately captivates the listener with her elongated phrasing and nuance. Gentle piano accompaniment makes this song very interesting. “Goodbye” is absolutely mesmerizing as Karrin tells an absent lover farewell in the type of seductive voice that would cause any other person to reconsider. Her voice is cool yet simmering with desire as Bob Sheppard’s bass clarinet punctuates the conversation. She continues to captivate with “I’m Always Chasing Rainbows,” “Smile” and “Sophisticated Lady,” before she launches into unforgettable renditions of “The Shadow of Your Smile” and “Send In The Clowns.” Her dramatic yet lovely interpretations of these songs will have you keeping score and marking hers at the top of your “best of” lists. Karrin and bassist Ed Howard end the program in a duet performance of Thelonious Monk/Cootie William/Bernard Hanighen’s “’Round Midnight.” The pair add a mysterious nocturnal ambience by using the sparseness of sound and silence that accompanies the midnight hour. This is one of Karrin’s best ballad recordings and a wonderful additional to her award-winning repertoire. She tops herself again! Check it out and then buy it from the SOTJ store.
Abstract Logix Live 2010 Various Artists This recording documents performances at the first New Universe Music Festival in Raleigh, North Carolina on November 20-21, 2010 by John McLaughlin & The 4th Dimension featuring Zakir Hussain, Jimmy Herring Band, Wayne Krantz, Lenny White’s Anomaly, Wayne Krantz, Alex Machacek, Ranjit Barot, and the Human Element. Among the top performances on this live recording are McLaughlin’s “Recovery,” and “Mother Tongues,” “Door #3” by Lenny White’s band, and Jimmy Herring’s rendition of “Rainbow.” Cheers coming from the audiences authenticate the great times experienced over those two days and assist in reviving the enthusiasm felt when you listen to this exceptional double disc live recording. White’s world-famous drumming ignites his band to give excellent performances that were highlighted by great guitar work from Jimmy Herring and Tom Guarna, Richie Goods on bass and Vince Evans on keys. “Gazelle” is a tour-de-force for the guitarists and with White’s power drumming, this song takes off like fleet-footed gazelles being chased across the African plains. John McLaughlin’s legendary electric guitar chops fuel “Recovery” and “Mother Tongues” to new heights and from the sound of things, the electricity didn’t end at the stage. The GRAMMY Award winner added another Grammy winning tabla master Maestro Zakir Hussain as special guest and together, they are literally speaking in the mother tongues. This recording is all any 21st century jazz/rock fan could want from world music masters, jazz/rock fusion artists and new universe musicians. Check it out.
Gonzalo Rubalcaba link
Fe…Faith
Gonzalo Rubalcaba
Fe…Faith is the premier release from Gonzalo Rubalcaba on his newly founded independent 5Passion record label. It marks an important milestone in his career because it boasts 15 tracks – 8 of which Rubalcaba wrote – that manifest his growth as a songwriter and pianist. This solo outing features a 3-part suite titled “Derivado” as well as readings of several important jazz standards written by Miles Davis/Bill Evans (“Blue In Green 1” and “Blue In Green 2”), Dizzy Gillespie (“Con Alma 1” and “Con Alma 3”) and two improvisations written by Rubalcaba that were based on Coltrane (“Improvi,sation 1” and “Improvisation 2.”) Rubalcaba opens his set with “Derivado 1” which serves as a stirring prelude to the music that stems from his “Mafererfun Iya Lodde Me.” The spiritual character of the piece is evident in the meditative mood. In the two “Improvisations” Rubalcaba pays tribute to John Coltrane by utilizing the chord changes of “Giant Steps” as he plays a gamut of rhythmic, harmonic and melodic variations. Dizzy Gillespie’s “Con Alma” also gets new props as Rubalcaba performs this classic with soulful feelings. The foremost tribute goes to the Miles Davis/Bill Evans gem “Blue In Green” as Rubalcaba mines the beauty of the song’s melody with impeccable style. Influences abound is this wonderful record label debut for one of jazz’s most admired pianists on the scene today. Check it out at the SOTJ store.
Common Ground
New Gary Burton Quartet
Common Ground is the New Gary Burton Quartet’s debut release for Mack Avenue Records. The Quartet is comprised of the Grammy Award winning vibraphone master, guitarist Julian Lage, bassist Scott Colley and drummer Antonio Sanchez. Among the ten compositions on the recording are six original songs written by quartet members as well as two songs by pianist Vadim Neselovskyi, Keith Jarrett’s “In Your Quiet Place,” and a re-imagined “My Funny Valentine,” the Rogers & Hart gem. Their program opens with Neselovskyi’s “Late Night Sunrise,” a melodic piece that features Burton’s stating the first theme on the vibraphone at the head followed by Lage’s genuine guitar prowess on the melody line. Burton’s virtuosity as a soloist follows as the band swings gently before a brief solo by Colley engages the listener. Lage enters with an improvised solo that intrigues the listener with brilliant chord choices before returning to the melody line. “Common Ground” written by Antonio Sanchez, is a voluptuous minor-key composition that reflects the “Burton sound” of previous years, while Scott Colley’s tune, “Never The Same Way” is the opposite of what listeners have come to associate with the “Burton sound” because it features Burton’s mighty chops and phrasing written in 7/4 time. The only Burton original, “Was It So Long Ago” is a ballad that captures the vibist in full interplay with the ensemble. Lagecontributes an exquisite solo that maintains listener’s interest before Burton re-enters and re-connects the listener to his voice. This is a very pretty song. Overall, the entire album is one that Burton and his bandmates can be proud of and is certainly a worthy addition to your jazz collection. Buy Common Ground today. Simply click on the CD cover.
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Essential
Jean-Michel Pilc
Essential is Jean Michel Pilc’s first Live in concert solo album and it couldn’t have come at a better time. Recorded at the Fazioli Piano Loft at Union County Performing Arts Center in Rahway, New Jersey, this debut release on Motema Music is an enhanced CD with video content with an audio portion that captures the amazing pianist performing 18 songs from a variety of genres – all purely improvised! Sixteen of the compositions are originals written by Pilc including six “Etudes-Tableaus” that are positioned between such great songs as his title track “Essential” and the Schertzinger/Mercer classic “I Remember You.” These striking tableaus provide an array of musical images that arise as suddenly as they disappear as Pilc changes musical directions. The video shows Pilc in all his grandeur performing the fourth of the six “Etudes – Tableaus.” Jean-Michel Pilc employs the entire range of the piano and skillfully applies his versatile technique to “Take The A Train,” with wry contrast between low boogie-woogie-tinged left hand and devious flourishes in the right. “Someday My Prince Will Come” is played as a blues but also takes flight into the upper registers. Chopin’s Waltz No. 3 in A Minor is given several atonal passages with no hint of Pilc’s classical influences while the “Scarborough Fair” melody is instantly recognizable among the improvised jazz riffs. Miles Davis’ “Blue In Green” is brooding and complex and the Bobby Darin hit, “Mack The Knife” is the exact opposite – bouncy and playful. For those listeners who haven’t become accustomed to the greatness of Jean-Michel Pilc’s piano magic, Essential is an appropriate introduction to his artistry and finesse. Buy it today. Simply click on the CD cover.
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Putumayo Presents Jazz Various Artists
This exceptional recording features such legendary jazz artists as Cannonball Adderley with Bill Evans, Louis Armstrong & Oscar Peterson, Chet Baker, Anita O’Day, Billie Holiday, The Nat King Cole Trio and many other wonderful artists singing some of your favorite songs. Most of the songs were recorded in the 1950s and as a result, 21st century technology (re-mixing and re-mastering) has benefited the original sound quality. “My Baby Just Cares For Me” sung by Nina Simone opens the program. Her instantly recognizable vocals and her piano playing are a sure reminder of what this inimitable singer brought to the jazz genre. Nat King Cole’s trio follows with “Deed I Do,” a song that he sang during his early days as leader of the Trio. Among the stellar highlights on this great compilation, (and there are many), is the accompaniment of piano virtuoso Oscar Peterson to the legendary singer/trumpeter Louis Armstrong as they perform “I Was Doing All Right.” Armstrong’s ability to tell a story in his charismatic voice and Peterson’s delicate complements makes this pairing one that should be in your collection of great jazz duets. Billie Holiday delivers a sultry performance of “Lover Come Back To Me” to close the program. Overall, the new technology of this century paired with these golden age of jazz hits from the 1950s makes a great way to get introduced or reminded of what these legendary singers have brought to American jazz history. Putumayo Presents Jazz is highly recommended for educators and music supervisors who want a compilation of songs from the 1950s all on one disc. Buy it today.
Milestone
Adam Cruz
Milestone is the Sunnyside Records label debut of drummer Adam Cruz. The recording features a stellar lineup of jazz artists including Chris Potter on tenor saxophone, Miguel Zenon on alto saxophone, Steve Wilson on soprano saxophone, Steve Cardenas on guitar, Edward Simon on piano & Fender Rhodes, and Ben Street on bass.“Secret Life” opens with Cruz offering a gentle taste of his rhythm logic before pianist Ed Simon enters to state the first theme. Chris Potter and Miguel Zenon restate the theme after which Potter heats things up with a scorching top-to-bottom torrent of improvised notes that command your attention. It’s no secret that Potter can really blow and he turns in a great performance on “Secret Life.” Steve Wilson’s soprano saxophone has its own opinions that he states in daring free improvisations on the next two tracks “Crepuscular” and “The Gadfly”- the latter being more vamp based and groove oriented. Cruz’s rhythmic roots have grown deep and with this debut recording as a leader, his fans will recognize that he is an artist and creative force who is deserving of your attention. So listen up! Buy Milestone today.
Circular Laura Kahle
These days, it’s rare to hear the pocket trumpet played by a member of a jazz ensemble. So when you hear the resonance of Laura Kahle’s in conjunction with the players she has invited to perform on Circular, your appreciation of her artistic endeavors is sure to surface. Joined by a coterie of admired jazz musicians (many of whom are bandleaders), Kahle gets the prime support she needs to make her original compositions listenable. Vocalist Claudia Acuna does a fine job on “Blackberry Garden” and frankly, the producers should have invited her to sing on several more tracks given the remarkable beauty of her voice. J.D. Allen delivers a great solo on the title track and really saves this song. However, much of the atonal ambience heard on such songs as “20/20 Vision,” “Sweets,” and a few others seems to interfere with the melodic beauty that many listeners visualize and inner-hear while receiving the personal interpretations of a song. When “Passing the Time” the CD may appeal to fans of Kahle’s.
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Uplift
Monty Alexander
Jazz Legacy Productions released Monty Alexander’s label debut in March and it’s a real winner. Uplift, the rightly titled premise of Monty Alexander’s program, features 10 great tracks – 7 swingin’ jazz standards and 3 originals penned by Monty Alexander that are certain to give you that “lift” you get when one of your favorite artists releases a new recording.Recorded live at various concert halls around the world between 2007 and 2010 – Uplift opens with the Sammy Cahn favorite “Come Fly With Me.” Alexander’s acoustic alchemy melds immediately with the listener and is nothing short of amazing. The audience shows their gratitude with a roaring ovation that sets the tone for the next track, “One Mint Julep.” Monty seems to mix fine single malt in with his “One Mint Julep” as this rendition is equally mesmerizing and sweet with intoxicating arpeggios and fresh stop on a dime changes. The people who attended Monty’s show when he played “Renewal” got a real treat. Not only did they hear his original composition but he used this setting and the space to really play in the pocket with bassist Hassan Shakur, drummer Herlin Riley and (possibly Frits Landesbergen since the tracks don’t label who is playing). His detailed ditties and gravity defying finger pyrotechnics on the keys on “Sweet Georgia Brown” attest to his outstanding technique. Drummer Herlin Riley turns in a great solo. Overall, the ensemble’s seamless interplay on these songs makes uplift a truly inspired musical experience. This collection of Alexander’s live recordings makes you feel as if you were actually in attendance and is definitely the next best thing to having been there. Check it out.
Campo Belo
Anthony Wilson
On Campo Belo, the acclaimed guitarist Anthony Wilson plays his Monteleone Radio Flyer and 1968 Les Paul Deluxe guitars through a Redplate Blackverb amplifier on 10 great songs. The sounds emanating from his brilliant chord choices are absolutely gorgeous. Wilson is accompanied by such respected Brazilian musicians as Andre Mehmari on piano & accordion, Edu Ribeiro on drums, Guto Wirtti on bass Joana Queiroz on clarinet and Vitor Goncalves playing accordion on “Flor de Sumare.” This recording is quiet, sensitive and is permeated with many Brazilian rhythms.Listen to the soft flow of breezy Bossa rhythms on “March to March,” or to “Valsacatu” which is a hybrid of maracatu rhythm and waltz time. But it also features Wilson’s soulful feelings on such songs as “Elyria,” a Nashville shuffle that he plays with a country/bluegrass fingerpicking style.Wilson is one of the most deserving guitarists on the music scene today and with this excellent recording displays his creativity as an artist who does not rest on his early work alone. His musical pendulum has swung from sideman to leader on this recording where he convincingly plays his musical mind on 10 expressive songs. Overall, Wilson and company have given you an imaginative program that demands your attention. Check it out. Learn more about Anthony Wilson at www.anthonywilsonmusic.com. Buy Campo Belo by clicking on the image.
Contagious Words
John Vanore and Abstract Truth
Contagious Words is the third release from John Vanore and Abstract Truth. It marks the continued development of one of the most distinctive jazz ensembles on the scene today. The 12-piece ensemble, named in honor of Oliver Nelson, was founded by John Vanore in the early 1980s and right off, the listener is transported by their imaginative music. Their impressive sounds on “Envy” stirs the imagination and immediately brings to mind the sophisticated sounds of Ellington’s, Thad Jones’ and Gil Evans’ orchestras.The music immediately touches the listener with its emotional timbre and the sensitive playing by the ensemble. This song is followed by “Substructure,” a piece designed for the acoustic bass player which Craig Thomas plays to perfection. “Recess” features Vanore out front on trumpet fully exploring the first playful theme. The entire ensemble joins in for the transition to the second theme played by pianist Ron Thomas. His solo is atonal and filled with playful surprises which lead to trombonist Larry Taft adding his opinions. The song ends with a mild cacophonous free for all indicative of any recess when the bell rings! Overall, the full orchestral sound and the solo improvisations make this recording worth several listens. Check it out. It contains several Contagious Words!
Bossa, Jazz ‘n’ Samba
Patty Ascher
Vocalist Patty Ascher and her expert ensemble of Brazilian musicians led by music director Marco Ponte and production supervisor Marco Menescal navigate the sensuous territory of Bossa, Jazz ‘n’ Samba. The recording is comprised of ten compositions either written or co-written by Patty Ascher and the beautiful gem written by Marilyn & Alan Bergman titled “The Summer Knows.” GRAMMY-Award winner Dori Caymmi arranged “The Summer Knows” and Ascher delivers this gorgeous song on a silver platter adorned with her savory vocals that are sure to please. Accompanied by Marco Pontes on piano, Ronald Rayol on acoustic guitar, Roberto Mescal on guitar, Ubaldo Versolate o saxophone & flute, Eric Budney on bass and Nahame Casseb on drums, Patty sings the songs in English and Portuguese with equal flair and sensibilities. Highlights include the ballad “How Much I Care” – a tribute to Jerry Lewis; “Saudade” a soft and warm Bossa Nova that Ascher sings in Portuguese about homesickness. Patty Ascher’s voice is pretty and these songs are a wonderful vehicle for her sterling talents. Check it out. Buy Bossa, Jazz ‘n’Samba today.
Love and Sax Elan Trotman
Elan Trotman creates an atmosphere of sensuality and romanticism on his fifth offering titled Love and Sax. The Berklee College of Music alumni and former sideman for Roberta Flack is joined by R&B vocalist Tony Terry, keyboardist Brian Simpson, Cindy Bradley on flugelhorn, bassist Webster Roach and guitarist Jeremiah McConico. The program features 12 originals penned by Trotman and a beautiful cover of “When I Fall In Love,” the Great American Songbook standard. After opening with a seductive intro that prepares you for the intimate songs that will refresh your thoughts about love, Trotman eases into the sexy rhythms of “Last Dance.” His tenor saxo- sonics are somewhat reminiscent of Boney James’ however the variations within his musical dialogue are enhanced by the underlying currents of Fabiano Silva’s guitar and Evan Brice’s programming. Trotman’s paeans to love continues with “When I Fall In Love,” “Rain,” a really beautiful ballad, and the title track. Each song is punctuated with strong R&B beats and their engulfing moods really establish the declarations of love emanating from Trotman’s soprano and tenor saxophone sonorities. Trotman has a beautifully fluid way with his music, moving it in and out among his guest musicians. The melodies that express the gladness of love and Trotman’s romantic nature are in themselves worth remembering as this young talent has the kind of musicality that ranks right up there with the smooth sax musicians of his generation.
VIVIDLY
Pierre Bensusan
VIVIDLY is the most recent release by the world-renowned and beloved guitarist Pierre Bensusan. The melodic instrumental and vocal recording is comprised of 14 songs that feature Bensusan’s exemplary guitar finesse (he invented the technique known as DADGAD and is known globally as the “Mozart of Guitar”) as well as the vocals of several revered singers including Malian vocalist Mah Damba on “Les Places De Liberte.” The songs are a mix of traditional songs, as well as original songs penned by Bensusan, his wife Doatea Cornu Bensusan and Nina Swan. All are beautifully performed and reflect their emotional, deeply intuitive and multi-faceted musical personalities.Bensusan’s pays homage to several people including Chet Baker, Tom Kearney, Hermeto Pasquoal and his wife via songs dedications. “Kiss Landing” features the virtuosity of Bensusan as he strums, picks, plucks and doubles his sound in such a way as to imply that there are more musicians playing with him. This is one of the best arrangements on the recording. One of the most beautiful songs is “La Blanche Biche” a traditional song that features the vocals of Guo Gan in harmony with the stellar playing of Pierre Bensusan. Overall, the album is best for its relaxing moods, its pure harmony and the fusion of respected singers into the Bensusan Sound. Buy VIVIDLY from the SOTJ store today.
Live at Prague Castle
Pavel J. Ryba & The Fish Men Pavel J. Ryba & The Fish Men performed a live concert at the Prague Castle in honor of Czechoslovakian president Vaclav Klaus. While each member of this exceptional 7-pieceband played extended solos from select songs heard on Ryba’s breakthrough release, the variations of these songs show maturity and command of harmonic language. The performances show both the composer’s ability to write songs that sound bigger and richer than their four or five individual parts initially heard in Ryba's previous bands.Ryba’s vibrant sonics on bass guitar are equally masterful as might be expected from a distinguished artist who has performed before audiences around the world. Joined by Mikolas Nop on drums, Fredy Bittner on guitar, Jiri Kollman on percussion, Milan Krajic on saxophone, Tomas Kremenak on saxophone and accordian, and Petr Valasek on bass clarinet and vocals, the ensemble played several of Ryba's well-known hits including "Morally Topless," "What's Her Poisson," "Smaller Wounds," "Tomorrow Will Be Better," and "Saltation." A cover of Thelonius Monk's "Straight No Chaser," is quite memorable because of Ryba's flair on bass guitar.
Of particular note is the bass clarinet playing os Petr Valasek throughout the recording but especially on "Haven't Got You," and "Smaller Wounds." A gentle melancholy is apparent in the expressive songs, the textures clear, the colors distinct. Several of the songs have an exotic modal cast and the dancing rhythmic urgency of great jazz. In this edition of the Fish Men band, Pavel J. Ryba continues to be bold and write great solos for his band members. Lead guitarist Fredy Bittner's eloquent rock-laced soloing transforms the solemn sound of the bass clarinet into a dramatic world of jazz/rock fusion that is full of soaring lines. Overall, Ryba, has extended his musical skills to include several more musicians and the inspired playing and dedication from each member should make the Pavel J. Ryba Big Band one worthy of wider public attention.
Source
Benny Green
Pianist Benny Green pays tribute to his musical heroes on his new trio recording titled Source. The Jazz Legacy Production is Green’s first release in ten years as a leader and features his long-time partners Peter Washingto on bass and Kenny Washington on drums. The 10-song program is comprised of songs written by such jazz greats as Horace Silver, Bud Powell, Benny Golson, and Sonny Clark, and several otherwell-known artists. “Blue Minor” opens the set. Green states that he “loves the attitude of this melody.” Among the exceptional highlights on this recording are Green’s great renditions of Bud Powell’s “Tempus Fugit,” his moving interpretation of Benny Golson’s “ Park Avenue Petite,” and Horace Silver’s “Opus de Funk.” While all of the songs are performed with fervor and skill, these particular songs make this program well worth your consideration and appreciation.
Recombination
Taylor Haskins
This is an excellent recording of improvised music by trumpeter Taylor Haskins. He is joined by Ben Monder on guitar, Todd Sickafoose on bass and Nate Smith on drums on 12, all written by Haskins with the exception of “Alberto Balsam.” Their sound on “Here Is The Big Sky,” and “Clouds From Below Us” is especially reminiscent of Miles Davis’ electric period with the intricate grooves, textural romps and electronic moody ambience. Although the influence of such bands as Boards of Canada and Amon Tobin are quite apparent, the Davis influence cannot be denied. The reblending of syncopated funk and riffy melodies, electronic energy is done very skillfully and ignites the listener’s respect for Haskins’ clarion trumpet tones. Needless to say, this creative side of Taylor Haskins is fully altered and Recombination should be in your jazz collection. Click on CD cover to purchase Recombination.
FOR YOUR LOVE
Sherry Winston
Sherry Winston’s latest offering continues with the love themes she shared on previous recordings. FOR YOUR LOVE is a splendid collection of original songs and covers of such favorites as Beyonce’s “Naughty Girl,” (on which Sherry samples Donna Summer’s “Love To Love You Baby”) and Sting’s “Roxanne.” The lovely flautist’s sixth recording dares her fans to immerse themselves in the exciting and exotic sounds heard on “Carribean Nites” “Overboard” and the beautiful title track “For Your Love.” The soulful vocals of Lori Anne Williams and Timmy Maia make this song a true keeper and their vision of Sherry’s title song is immaculate. FOR YOUR LOVE is by far one of Winston’s best recordings and a tribute to the loving, creative spirit that inhabits all of her recordings. Jazz flute is simply one of the prettiest sounds you’ll ever hear when played by a master and Sherry Winston is definitely a master. Joined by such luminaries as Phil Hamilton on guitar, Tyger Macneal on drums, Nick Bariluk on keyboards, Steve Clarke on bass, Dennis Hightower and Van Gibbs, among others, Sherry is in her element – one that is warm, inviting and stylish. Sherry dusts off “My Funny Valentine” and makes it shine with updated contemporary jazz flute voicings.This is one great rendition of this favorite American Songbook standard and you’re sure to enjoy how Sherry and her band make it their own. As the record proceeds to a close, the reverent “My Silent Prayer” leaves you with a feeling of peace and serenity that is enhanced by the emotional tones of Winston’s flute voicings. “Sherry Love,” the closing track is an upbeat composition that will have you feeling real good and wondering when Sherry and her band are coming your way! Check it out…for more information visit www.sherrywinston.com to buy FOR YOUR LOVE.
FOREVER & EVER Elizabeth Mis
Saxophonist Elizabeth Mis has the great pleasure of having a mega-hit making producer like Paul Brown and prolific songwriters like Jeff Caruthers and Gerald MCauley work with her on her debut recording titled FOREVER & EVER. The songs are smooth, sexy and exude the professionalism the young saxophonist carries with her onstage. Mis (pronounced Miss) met Brown at one of his concerts and got the opportunity to sit in on his gig in Cleveland and later at the Detroit Jazz Festival in 2008! The title track, which she co-wrote with Brown and Caruthers is a satisfying sonnet that brings on a sense of infinite comfort and relaxation. Her riffs are romantic and the resonance of the soprano saxophone feels good. Which leads to “Feelin’ Fine” another great song that finds Elizabeth serving her laidback saxophonics with some funky sauce on the side. A more tender spirituality informs “In My Corner,” and who doesn’t appreciate those insightful moods that accompany a divine offering. Overall, Elizabeth Mis reminds you of an early Mindy Abair and shows a lot of promise. Elizabeth Mis has something to say and she uses her talent as a saxophonist very well indeed. Check her out and then buy FOREVER & EVER.
ANYTHING GOES Herb Alpert and Lani Hall
ANYTHING GOES is a rare offering by two of music’s most revered masters – trumpeter Herb Alpert and vocalist Lani Hall. The recording is a collection of great songs which were recorded live at venues throughout America and is their first project together as well as their debut recording for Concord Records. Reinterpretations of such Great American Songbook standards as “Fascinating Rhythm” “That Old Black Magic” “Let’s Face The Music and Dance,” the title track “Anything Goes” and “ I’ve Got You Under My Skin” are sure to envelope you, dear listener, in the warm array of emotions often associated with these songs. Hall’s vocals are versatile, inviting and earthy and have that special cabaret feeling that causes the audience to respond often and with warm appreciation. Alpert is the perfect foil for Hall’s voice, there in an instant to fill in the nuance and colors. ANYTHING GOES has something for everyone and is sure to invite their devoted fans back into a brand new musical lair. Buy it today. Simply click on the CD cover.
LOVE & LIGHT
Count Basic featuring Kelli Sae
Count Basic is one of the best bands on the international music scene today. On LOVE & LIGHT, the Vienna, Austria-based band shares their latest worldviews on such subjects as wayward lovers, inner beauty and light, believing in yourself, and letting go of a negative relationship. Kelli Sae’s vocals are rich and tell these stories with authority and from the point of view of someone’s who been there. Peter Legat, on guitar adds a variety of riffs that explain his popularity for the past two decades as one of Europe’s leading composers/educators/guitarists. “Supa Dupa” is funky as it wants to be, and has the stop-on-a-dime changes on the refrain that makes your head bob and feet pat. Sae’s vocals match Legat’s riffs note for note and makes this song a real keeper. “Love Thang” is yet another vehicle for Sae’s dynamic multi-range voice. She has that great phrasing ability that makes this song worth hearing over and over. This is a sure hit. LOVE & LIGHT is definitely happening with its versatile show of songs ..from ballads, bop, R&B, soul, jazz and pop. It’s all there. LOVE IT. Check it out at the SOTJ store. Then click on the image to buy the CD.
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In The Moment
Freddie Washington
Freddie Washington, long known for his killer bass grooves, big portions of funk and for comping some of the best musicians in the industry, has released his first CD as a leader. IN THE MOMENT features 7 original compositions penned by Washington who hired such favorites as Patrice Rushen, Joe Sample, Ray Parker, Jr., Ndugu Chancler, Michael Paulo, Bernhard Penzias, Michael White, Luis Conte, and several other musicians to help give the disc a hip, fresh, imaginative feel. One such song with their hip flavors is the title track which leads off the program. Even though this song has an old school feel that underlines its new urban soundscape, it puts you in the moment -- which is now, not then. Ray Parker, Jr.’s well-known guitar voice takes the lead on “When You Get Right Down To It.” Joe Sample contributes a stellar keyboard solo later in the song that keeps it interesting. “Easy Ride” features Washington out front in a trio setting with Ndugu Chancler on drums, and Johnny Britt on flugelhorn, trumpet and piano, but it takes “Freddie’s Groove” to change the mood and get to the other end of the musical spectrum where Washington has captivated legions of fans with his funky bass chops and grooves. This song is the centerpiece of the CD and gives the entire set a new focus. Dance floor here I come! The ballad “I Can Make It Better,” is melodic and sexy and the type of song that gives those on the dance floor a break! IN THE MOMENT is a decent debut and supports Washington’s endeavor as a bandleader with great production values and world-class accompanists.
OUR DELIGHT
The James Moody and Hank Jones Quartet
OUR DELIGHT is a major release in the world of jazz, especially when you consider the quartet of musicians involved – James Moody on saxophone, Hank Jones on piano, Todd Coolman on bass and Adam Nussbaum on drums – as individuals who are just as dedicated as the quartet of musicians featured on THELONIUS MONK WITH JOHN COLTRANE COMPLETE 1957 RIVERSIDE RECORDINGS. Moody and Jones have bothe traversed a major portion of jazz’s history, playing with a who’s who of jazz along the way. Just as Coltrane and Monk, Moody and Jones have an everlasting appeal to jazz fans and will forever be appreciated for their contributions to the idiom. Here the quartet pays tribute to some of jazz’s greatest players and have included the works of such major composers and players as Dizzy Gillespie, Sonny Stitt, Tadd Dameron, Count Basie, and many others. Moody plays a solid set throughout interspersing his flute and tenor saxophone prowess throughout. However,in his inimitable style,he’s at his best on flute on “Darben The Red Foxx.”This song is one of his originals and places him among the great wind players. Moody and Jones’ approach to such standards as “Body and Soul,” “Woody ‘N You, “ “Con Alma,” and “Birk’s Works,” reflect their reverence for Gillespie’s compositional prowess as well as giving the Heyman and Greene standard a fresh approach.
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SONGS FROM THE HEART: RAMSEY PLAYS RAMSEY Ramsey Lewis
The iconic pianist/songwriter Ramsey Lewis has released his debut recording for the Concord Jazz label. The CD is a refined collection of 12 original compositions that Lewis composed over the course of two years. The recording includes music from two commissioned works for the Ravinia Festival, eight songs from the score of TO KNOW HER, Lewis’ 2007 ballet written for the Joffrey Ballet Company and four from his 2008 MUSES AND AMUSEMENTS suite that he performed with the Turtle Island Quartet. All of the music is graceful, heartfelt and lyrical and is everything Ramsey Lewis’ fans will enjoy. Give it a listen at the SOTJ store and then click on the image to buy the CD.
