David Newman and the Varese Sarabande Symphony Orchestra
What would a film be without its music? Film scores provide a major element to any film and scores and themes often outlast the film itself. The music sets the mood, the music sets the scene, the music captures the car chases and the music often identifies a character with a special theme. In that way, the music can play a leading role itself. So in 1985, many major films got the support they deserved via exemplary scores composed by some of the industry’s most prolific composers.
To that end, Varèse Sarabande Records takes a look back at 1985, a historic year for film music with the release of 1985 AT THE MOVIES.The CD features some of the most enduring themes and end credits from the most popular films of 1985 and from such Oscar-nominated scores as Witness (Maurice Jarre), The Color Purple (Quincy Jones/arr. by John Williams), and Agnes of God (Georges Delerue), Silverado (Bruce Broughton) and Out of Africa (John Barry). You can enjoy a video EPK about the making of this special recording at https://www.youtube.com/watch?v=BgAB_DvUVFY.
The CD also features the debut of a new film music symphony, the Varèse Sarabande Symphony, comprised of some of the best musicians in Los Angeles, including musicians from the Los Angeles Philharmonic, LA Opera, Los Angeles Chamber Orchestra, Pacific Symphony, the Hollywood Bowl Orchestra, as well as many legendary session musicians. David Newman conducted the session which was recorded at 20th Century Fox in April of 2015, on the Newman Scoring Stage. Robert Townson produced and wrote the liner notes, and was produced by the label’s Robert Townson, who also wrote the liner notes for the recording.
In addition to the symphonic musicians, the album also features brilliant soloists, including flutist Sara Andon, violinists Belinda Broughton and Bruce Dukov, cellist Steve Erdody, pianist Mike Lang, saxophonist Dan Higgins and singers Bobbi Page and Suzanne Waters. To buy the CD, please visit the Varese Sarabande website.
Ivo Perelman and Matthew Shipp
On Callas, tenor saxophonist Ivo Perelman and pianist Matthew Shipp collaborate on this spontaneous duo performance that depicts the improvised free jazz versions of characters portrayed by operatic diva Maria Callas. Each of the improvised arias from operas such as "La Boheme," "The Barber of Seville," "Norma," "Tosca," "Aida," "Turandot " and others, evoke the operatic sensibilities of Perelman’s brilliance as well as Shipp’s emotional resonance and musical clairvoyance.
The pair discover the various nuances of each aria and develop them further throughout their improvisations. There is a subtle new vocal sound to Perelman’s saxophonics as he matches Callas’ approach to the low, middle and high registers she so brilliantly sang. The inflections are there, the subtleties, but not the melodies. Shipp’s dark, insistent ostinato supports and propels Perelman’s flights on the opening track titled “Lucia” the heroine’s defiant character from Donizetti’s opera “Lucia di Lammermoor.” On “Magdelina” Perelman channels a plangent yearning as Shipp’s steady, implacable undercurrents reminisce the doomed love of the title character’s fate in “Andrea Chenier.”
On “Norma” his throaty low notes contrast his brilliant coloratura excursions while on “Mimi” he unveils a tender romantic splendor. Overall, this album is a brilliant emotional breakthrough that comes from a newly discovered understanding and appreciation for some of opera’s greatest arias. Perelman and Shipp’s own superb musicality and artistry deserve more than one listen. Callas is that great.
Jenna Mammina & Rolf Sturm
Pop/Jazz vocalist/songwriter Jenna Mammina and guitarist Rolf Sturm offer their listeners 12 exceptional songs on their first recording together called Spark. Many of the songs such as “Talk To Me,” “Get Your Kicks On Route 66” and “I’m Beginning to See The Light” are from the 1950s and 1960s but now have a jazz twist. The duo also update the Stylistics’ tune “Betcha, By Golly Wow,” and later move from the Philadelphia International Sound to a sweet Brazilian fantasy called “The Girl From Ipanema.” Overall, this eclectic vocalist and fingerstyle player effortlessly alternate between swinging jazz chords and beautifully executed melodies. Together their improvisational abilities are both impressive and expressive.
Cuentos is Guraudo’s second release on ZOHO Music and his sixth as a leader. With fleshed out trombone and trumpet sections and a percussionist in the mix, Giraudo’s new Big Band capably delivers 9 great compositions including the beautiful four -movement “Angela Suite.” Pedro Giraudo wrote and arranged all of the songs and plays electric and acoustic basses. Following his critically-acclaimed 2011 ZOHO release titled Cordoba, Giraudo has created another masterwork with his daring and immensely rewarding Cuentos. He treats his fans to ravishingly detailed expression of Argentine music forms and themes while standing solidly in the tradition of such North American masters as Duke Ellington, Thad Jones and Gil Evans.
On Headin’ Out, alto saxophonist Matt Criscuolo and his bandmates guitarist Tony Purrone, acoustic bassist Preston Murphy and drummer Ed Soph, perform several original songs and rarely covered compositions as Miles Davis’ “Sippin’ at Bells” and Randy Weston’s “Little Niles.” These musicians offer the songs in freely improvised terms that were influenced by Henry Threadgill, Jimmy Lyons and David S. Ware, as well as Jimmy Heath. Headin’ Out is high-quality, impassioned 21st century modern jazz.
Triangles and Circles
Dafnis Prieto Sextet
Recorded on the heels of a one-week run at the Jazz Standard in New York City, the eight songs on Triangles and Circles capture the essence of Dafnis Prieto’s composing skills and imaginative drumming. Joined by Peter Apfelbaum on tenor & soprano saxophones, Felipe Lamoglia on alto saxophone, Mike Rodriguez on trumpet, Manuel Valera on piano and Johannes Weidenmueller on acoustic and electric basses, Dafnis Prieto Sextet excels in all areas and reaches a near-telepathic level o interplay and impeccable interpretation throughout this excellent program. Standouts include “Back and Forth,” and the title track “Triangles and Circles.”
All I Know
Rachel Caswell duets with Dave Stryker and Jeremy Allen on this lovely collection of songs from the Great American Songbook titled All I Know. Rachel’s vocal creativity is clear, controlled and relaxed on these 12 songs that serve as a wonderful vehicle for her new interpretations. Among the songs the trio remakes are “I’ve Never Been In Love Before,” “Sometimes I’m Happy,” and “I Fall In Love Too Easily.” Each song is charming and emotional and exposes the sincerest form of musicality from all three collaborators.
Portland-based alto and soprano saxophonist Hailey Niswanger plays with remarkable authority and drive on PDX Soul. Rich in funky rhythms, instantly hooky melodies and sophisticated crafting, the 8 track recording is brimming with Hailey’s finely tuned improvisations. Working with a collective of 16 superb musicians Hailey’s great interpretation of “Take Me To The River,” will have you moving to its rhythmic joy while “I’m Gone,” shows her true essence as a reed player who can deliver the goods as an arranger and composer of new songs. Barbara Mason’s hit, “Yes I’m Ready” is also given a newly designed feeling and one that is sure to make you aware of Haley’s innovative skills.
B.J. Ward and Donn Trenner
Outstanding musical talents B.J. Ward and Donn Trenner have reunited after 40 years to release their second recording titled Double Feature. The duo recorded this exemplary program improvisationally, capturing voice and piano together with no over-dubbing of vocals. The 12-songs are culled from the annals of film music and Broadway musicals. Rarely heard songs include the haunting and beautiful “Theme From Rosemary’s Baby,” “Drifting” from Auntie Mame and “Do You Know Why?” from Love Thy Neighbor. Gordon Hunt produced the vocal/piano recording with Lee Lessack as Executive Producer.